This book presents a new approach to the issue of temporality in film. Matilda Mroz argues that cinema provides an ideal opportunity to engage with ideas of temporal flow and change. Temporality, however, remains an underexplored area of film analysis, which frequently discusses images as though they were still rather than moving. This book traces the operation of duration in cinema, and argues that temporality should be a central concern of film scholarship. In close readings of Michelangelo Antonioni’s ‘L’Avventura’, Andrei Tarkovsky’s ‘Mirror’, and the ten short films that make up Krzysztof Kieslowski’s ‘Decalogue’ series, Mroz highlights how film analysis must consider both particular moments in cinema which are critically significant, and the way in which such moments interrelate in temporal flux. She explores the concepts of duration and rhythm, resonance and uncertainty, affect, sense and texture, to bring a fresh perspective to film analysis and criticism. Essential reading for students and scholars in Film Studies, this engaging study will also be a valuable resource for critical theorists.
Editorial Reviews
Book Description
Places the concept of duration at the centre of an understanding of cinema and spectatorship
From the Back Cover
Temporality and Film Analysis is an invaluable contribution to scholarship on cinema and time. Matilda Mroz argues that cinema provides an ideal opportunity to engage with ideas of temporal flow and change. Temporality, however, remains an underexplored area of film analysis, which frequently discusses images as though they were still rather than moving. This book uniquely traces the operation of duration in cinema, and argues that temporality should be a central concern of film scholarship. In close readings of Michelangelo Antonioni’s L’Avventura, Andrei Tarkovsky’s Mirror, and the ten short films that make up Krzysztof Kieślowski’s Decalogue series, Mroz highlights how film analysis must consider both particular moments in cinema which are critically significant, and the way in which such moments interrelate in temporal flux. She explores the concepts of duration and rhythm, resonance and uncertainty, affect, sense and texture, to bring a fresh perspective to film analysis and criticism, and a new approach to the issue of temporality in film. Essential reading for students and scholars in Film Studies, this engaging study will also be a valuable resource for critical theorists. Dr Matilda Mroz is Lecturer in Film and Visual Culture at the University of Greenwich.
About the Author
Matilda Mroz is a Research Fellow at the Department of Slavonic Studies, Faculty of Modern and Medieval Languages, University of Cambridge.
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