Rockin' out of the Box:Gender Maneuvering in Alternative Hard Rock None Edition

Rockin' out of the Box:Gender Maneuvering in Alternative Hard Rock None Edition book cover

Rockin' out of the Box:Gender Maneuvering in Alternative Hard Rock None Edition

Author(s): Mimi Schippers (Author)

  • Publisher: Rutgers University Press
  • Publication Date: April 2, 2002
  • Edition: None
  • Language: English
  • Print length: 232 pages
  • ISBN-10: 081353075X
  • ISBN-13: 9780813530758

Book Description

Given the long history of feminism and its contested place in popular culture, important, practical questions arise: What effect, if any, have feminist ideas and practices had on the lives of young men and women who grew up with them? How do these individuals negotiate the realities of gender in their daily lives?

In Rockin’ Out of the Box, Mimi Schippers, employing the crucial feminist insight that gender is a constantly shifting performance and not an essential quality related to sex, explores the gender roles, assumptions, and transgressions of the men and women involved in the alternative hard rock scene. The author focuses on this sizable section of rock music both because it is widely inclusive of men and women and because it explicitly adopted feminism as its point of departure from mainstream music. Schippers uses the innovative term gender maneuvering to explain her observations that gender and sexuality are negotiated and always changing features of social relations. This process, she demonstrates, operates as a cultural practice and as an individual strategy of resistance to socially prescribed gender roles.

Schippers, who spent more than two years frequenting alternative hard rock clubs and concerts in Chicago, conducted extensive interviews with fans as well as musicians, including Ian MacKaye of Fugazi, Eddie Vedder of Pearl Jam, Kim Thayil of Soundgarden, Donita Sparks and Jennifer Finch of L7, Kat Bjelland and Lori Barbero of Babes in Toyland, Rose of Poster Children, Louise Post and Nina Gordon of Veruca Salt, and Liz Davis and Valerie Agnew of 7 Year Bitch. As it documents the development of a rock music genre that has so far received little academic attention, this book  also demonstrates how this musical culture contributes to our understanding of the daily practices of gender relations among young people.

Editorial Reviews

From Library Journal

This uneven study of the perceived intersection of feminist politics and a subset of a discreet musical style focuses on the Chicago alternative hard-rock scene of the mid-1990s. Schippers (sociology, Albion Coll.) presents this scene as a progressive, antisexist subcultural group devoted as much to “gender maneuvering” (challenging mainstream preconceptions of gender and sexuality) as to music. Schippers’s conclusions are based on two years of research in the Chicago scene, consisting of immersing herself in the subcultural experience and observing and interviewing friends, fans, and musicians, including members of Soundgarden, Pearl Jam, Fugazi, 7 Year Bitch, and Veruca Salt. The author is at her best when describing concrete expressions of subcultural bricolage such as dress and adornment and at her worst when drawing sociological conclusions based on personal experiences. The anecdotal evidence seems designed to validate Schippers’s high opinion of the scene as populated by socially progressive, open-minded, and enlightened individuals. Schippers fails to recognize that compared with the likes of mainstream hard rockers like M tley Cr e, just about anyone is. The book’s tone is not unlike the public persona of one of its subjects, Eddie Vedder of Pearl Jam: sanctimonious and self-consciously earnest. Recommended for academic libraries only. David Valencia, King Cty. Lib. Syst., Seattle
Copyright 2002 Reed Business Information, Inc.

From the Back Cover

Given the long history of feminism and its contested place in popular culture, important, practical questions arise: What effect, if any, have feminist ideas and practices had on the lives of young men and women who grew up with them? How do these individuals negotiate the realities of gender in their daily lives?

Employing the crucial feminist insight that gender is a constantly shifting performance and not an essential quality related to sex, Mimi Schippers explores the gender roles, assumptions, and transgressions of the men and women involved in the alternative hard rock scene. She uses the innovative term gender maneuvering to explain how gender and sexuality are negotiated and always changing features of social relations. This process operates as a cultural practice and as an individual strategy of resistance to socially prescribed gender roles.

Schippers conducted extensive interviews with fans as well as musicians, including Ian MacKaye of Fugazi, Eddie Vedder of Pearl Jam, Kim Thayil of Soundgarden, Donita Sparks and Jennifer Finch of L7, Kat Bjelland and Lori Barbero of Babes in Toyland, Rose Marshack of Poster Children, Louise Post and Nina Gordon of Veruca Salt, and Liz Davis and Valerie Agnew of 7 Year Bitch. As it documents the development of a rock music genre that has so far received little academic attention, Rockin’ out of the Box also demonstrates how this musical culture contributes to our understanding of the daily practices of gender relations among young people.

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