Witchcraft and Magic in Europe, Vol. 2: Ancient Greece and Rome

Witchcraft and Magic in Europe, Vol. 2: Ancient Greece and Rome book cover

Witchcraft and Magic in Europe, Vol. 2: Ancient Greece and Rome

Author(s): Bengt Ankarloo (Editor), Stuart Clark

  • Publisher: University of Pennsylvania Press
  • Publication Date: October 14, 1999
  • Language: English
  • Print length: 384 pages
  • ISBN-10: 0812217055
  • ISBN-13: 9780812217056

Book Description

Selected by Choice magazine as an Outstanding Academic Book for 2000

The roots of European witchcraft and magic lie in Hebrew and other ancient Near Eastern cultures and in the Celtic, Nordic, and Germanic traditions of the Continent. For two millennia, European folklore and ritual have been imbued with the belief in the supernatural, yielding a rich trove of histories and images.

The six volumes in the series Witchcraft and Magic in Europe combine traditional approaches of political, legal, and social historians with critical syntheses of cultural anthropology, historical psychology, and gender studies. The series provides a modern, scholarly survey of the supernatural beliefs of Europeans from ancient times to the present day. Each volume contains the work of distinguished scholars chosen for their expertise in a particular era or region.

The chronological scope of this volume ranges from the heroic age of Homer’s Greek East to the time of the rise of Christianity, a period of well over a thousand years. In this long millennium the political and cultural landscapes of the Mediterranean basin underwent significant changes, as competing creeds and denominations rose to the fore, and often accused each other of sorcery.

Other volumes in the series Witchcraft and Magic in Europe:
Biblical and Pagan Societies
The Middle Ages
The Period of the Witch Trials
The Eighteenth and Nineteenth Centuries
The Twentieth Century

Editorial Reviews

From Library Journal

This series provides a scholarly survey of European belief in the supernatural. Using broad definitions of witchcraft and the supernatural, it provides a framework for inquiring into the supernatural in Europe from ancient to modern times. Each volume is divided into sections, each of which was written by a prominent scholar in that field. The first volume looks at the practices resulting in a belief in sorcery and witchcraft in Greek and Roman times. Part 1 covers curses, spells, and voodoo dolls in ancient Greek and Rome; Part 2 offers a literary review of witches and sorcerers in classical literature; Part 3 analyzes the role of magic in the classical world; and Part 4 covers belief in demons in the classical world, early Christianity, and Judaism. The second volume covers the witch trials of the 18th and 19th century. Part 1 analyzes the general reasons for their decline; Part 2 discusses beliefs in witchcraft after the trials; and Part 3 discusses the trials’ origins in Enlightenment, Romantic, and Liberal thought. The third volume discusses modern witchcraft. Part 1 describes the rise of modern pagan witchcraft; Part 2 looks at modern Satanism (thoroughly dispelling the myth of ritual abuse); and Part 3 analyzes more traditional practices of witchcraft in the 20th century including bewitchments and cursings, and looks into the future of such practices. These volumes provide an exceptional historical and social analysis of subject of enduring interest. All three are highly recommended for academic libraries.AGail Wood, SUNY at Cortland
Copyright 1999 Reed Business Information, Inc.

Review

“Wide-ranging, well-documented, up-to-date. . . . Witchcraft and Magic in Europe: Ancient Greece and Rome is deliberately designed as an introduction for the general reader, and it fulfills that function admirably.” ― Peter Green, New Republic

“An exceptional historical and social analysis of a subject of enduring interest.” ― Library Journal

“This extensive and reliable handbook will be the general introduction to ancient magic for some time to come.” ― Choice

“Although the volumes are intended mainly for scholars, there is much in them to interest the common reader.” ― New Yorker

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