
We are What We Pretend to be: The First and Last Works
Author(s): Kurt Vonnegut (Author)
- Publisher: Vanguard Press Inc
- Publication Date: 9 Oct. 2012
- Edition: 1st
- Language: English
- Print length: 176 pages
- ISBN-10: 9781593157432
- ISBN-13: 9781593157432
Book Description
Written to be sold under the pseudonym of Mark Harvey,
Basic Training was never published in Vonneguts lifetime. It appears to have been written in the late 1940s and is therefore Vonneguts first ever novella. It is a bitter, profoundly disenchanted story that satirizes the military, authoritarianism, gender relationships, parenthood and most of the assumed mid-century myths of the family. Haley Brandon, the adolescent protagonist, comes to the farm of his relative, the old crazy who insists upon being called The General, to learn to be a straight-shooting American. Haleys only means of survival will lead him to unflagging defiance of the Generals deranged (but oh so American, oh so military) values. This story and its thirtyish author were no friends of the milieu to which the slick magazines advertisers were pitching their products.When Vonnegut passed away in 2007, he left his last novel unfinished. Entitled
If God Were Alive Today, this last work is a brutal satire on societal ignorance and carefree denial of the worlds major problems. Protagonist Gil Berman is a middle-aged college lecturer and self-declared stand-up comedian who enjoys cracking jokes in front of a college audience while societal dependence on fossil fuels has led to the apocalypse. Described by Vonnegut as, the stand-up comedian on Doomsday, Gil is a character formed from Vonneguts own rich experiences living in a reality Vonnegut himself considered inevitable.Along with the two works of fiction, Vonneguts daughter, Nanette shares reminiscences about her father and commentary on these two worksboth exclusive to this edition.
In this fiction collection, published in print for the first time, exist Vonneguts grand themes: trust no one, trust nothing; and the only constants are absurdity and resignation, which themselves cannot protect us from the void but might divert.
Editorial Reviews
About the Author
Kurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonneguts audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Hellers Catch-22 to form the truest and darkest of what came from World War II.
Vonnegut began his career as a science fiction writer, and his early novels–Player Piano and The Sirens of Titan–were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.
Now that Vonneguts work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonneguts work you read, the more it resonates and the more you wish to read. Scholars believe that Vonneguts reputation (like Mark Twains) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.
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