Vision, Science and Literature, 1870-1920: Ocular Horizons Reprint Edition
Author(s): Martin Willis (Author)
Publisher: University of Pittsburgh Press
Publication Date: March 30, 2018
Edition: Reprint
Language: English
Print length: 320 pages
ISBN-10: 0822965461
ISBN-13: 9780822965466
Book Description
This book explores the role of vision and the culture of observation in Victorian and modernist ways of seeing. Willis charts the characterization of vision through four organizing principles―small, large, past and future―to survey Victorian conceptions of what vision was. He then explores how this Victorian vision influenced twentieth-century ways of seeing, when anxieties over visual “truth” became entwined with modernist rejections of objectivity.
Editorial Reviews
Review
A highly original work and a landmark study whose impact is likely to be long lasting. ― European Society for the Study of English
Provides a fresh account of modern visualities in the overlap between scientific and literary cultures … the book abounds with incisive readings and innovative conjunctions. ―
Victorian Studies
The history and philosophy of science merge seamlessly with literary studies in this intelligently crafted study of late nineteenth- and early twentieth-century vision. By comparing literary and scientific narratives of visual technologies, Willis uncovers cultural assumptions about the way knowledge works. He stands out as an interdisciplinary scholar who analyzes literature as a source as well as a recipient of learning. ―
Laura Otis, Emory University
The interdisciplinary study of science and science fiction would do well to pursue the combination of archival research with engagement in current debates on the history of scientific culture that Willis exemplifies. ―
Science Fiction Studies
Book Description
Winner of the British Society for Literature and Science Annual Prize, 2011 Winner of the Cultural Studies in English Prize, 2012
This book explores the role of vision and the culture of observation in Victorian and modernist ways of seeing. Willis charts the characterization of vision through four organizing principles―small, large, past and future―to survey Victorian conceptions of what vision was. He then explores how this Victorian vision influenced twentieth-century ways of seeing, when anxieties over visual “truth” became entwined with modernist rejections of objectivity.
About the Author
Martin Willis is professor of English literature at Cardiff University.