The Economist: Directors: An A-Z Guide Main Edition

The Economist: Directors: An A-Z Guide Main Edition book cover

The Economist: Directors: An A-Z Guide Main Edition

Author(s): Bob Tricker (Author)

  • Publisher: Economist Books
  • Publication Date: 7 May 2009
  • Edition: Main
  • Language: English
  • Print length: 320 pages
  • ISBN-10: 1846681677
  • ISBN-13: 9781846681677

Book Description

Recent years have seen a number of scandals that have revealed sometimes shockingly poor standards of corporate governance in well-known companies – and exposed some directors had regard only to their own interests while others were hopelessly ineffective. Managers may run a company but it is the job of directors to make sure it is well run and run in the right direction. This clear and lively guide to the role and responsibilities of directors is aimed not only at those on the board, but also at managers and stakeholders in every kind of organisation. Including case studies that illustrate poor standards of corporate governance in companies the A-Z entries cover such concepts and terms as:

Agency theory, Audit Committee,Corporate veil, Deep pocket syndrome, Disclosure, Ethics, Games directors play, Helicopter vision, Keiretsu, Log rolling, Mentor, Non-executive director, Poison pill,Shareholder value, Stakeholder theory, Tokenism, Two hat dilemma, Unitary board,War room, Yakusa, and Zaibatsu.

Extensive appendices provide codes of best practice and checklists that will be of immense practical help to those involved in setting and raising standards of governance in their organisations.

Editorial Reviews

Review

There couldn’t be a better time for these business guides from The Economist – They’re a handy guide, with some dry humour and stern disapproval thrown it to stop things getting too dull – These are interesting and excellent reference guides to those interested in the markets, or who own shares. Anybody who thinks they have nothing to learn from these is asking for trouble, or raised eyebrows at the very leastA” – Jeremy Hazlehurst, City AM.

Book Description

The new essential guide from The Economist.

About the Author

Dr. R. I. (Bob) Tricker served on the Councils of the Institutes of Chartered Accountants and Chartered Management Accountants. After a few years as a financial controller in industry, and study at Harvard and Oxford Universities, he became professor of information systems at Warwick University, then Director of the Oxford Centre for Management Studies (now the Säid Business School, Oxford) and a Research Fellow of Nuffield College, Oxford, where his research led to the first book with the title Corporate Governance (1984). He was then appointed Hong Kong University Business School’s Professor of Finance.
His first corporate governance book was
The Independent Director(1978). Subsequently, he wrote International Corporate Governance – text, cases and readings (1994), and edited Corporate Governance(2000) for the Ashcroft History of Management Thought. He was founder-editor of Corporate Governance – an international review. His latest books are Directors – an A-Z of corporate governance, the fifth edition of the Economist Pocket Director and Corporate Governance – principles, policies and practices, Oxford University Press, 2009.
He holds Honorary Professorships of three universities, has been involved in corporate governance developments in Hong Kong, China, and Russia, and consults, teaches and writes on corporate governance around the world.

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Third Coast: OutKast, Timbaland, and How Hip-Hop Became a Southern Thing

Third Coast: OutKast, Timbaland, and How Hip-Hop Became a Southern Thing book cover

Third Coast: OutKast, Timbaland, and How Hip-Hop Became a Southern Thing

Author(s): Roni Sarig (Author)

  • Publisher: Da Capo Press
  • Publication Date: May 1, 2007
  • Language: English
  • Print length: 400 pages
  • ISBN-10: 0306814307
  • ISBN-13: 9780306814303

Book Description

Typically, more than half the top rap songs in the country are the work of Southern artists. In a world still stuck in the East/West coast paradigm of the ’90s, Southern hip hop has dominated the genre-and defined the culture-for years. And the South’s leading lights, most notably OutKast, Timbaland, and more recently, crunk superstars like the Ying Yang Twins and Lil Jon, have expanded the parameters of hip hop. Third Coast is the first book to deal with Southern hip hop as a matter of cultural history, and the first to explain the character and significance of down South rapping to fans as well as outsiders. It tells the story of recent hip hop, marking how far the music has come sonically and culturally since its well-documented New York-centered early years.

Editorial Reviews

From Booklist

Rap has become mainstream, and Sarig limns some of its most important performers by adopting a regional focus on what may at first seem an unlikely place, the American South. Like the Allman Brothers in the 1970s, Timbaland, OutKast, and others have created an identifiably southern style. Different sensibilities and a refreshing noninvolvement in rap’s infamous East-West contretemps mark the irrepressible enthusiasm of many southern rappers. From Southernplayalisticadillacmuzik in 1994 onward, the playful OutKast (Andre 3000 and Big Boi, aka Andre Benjamin and Antwan Patton) has exhibited an adventurous approach that earned huge sales, and Timbaland (ne Timothy Z. Mosley) is a noted producer and composer as well as performer. All southern hip-hop, aka Dirty South Hip Hop, is probably a cipher to those for whom rap genres and performers all sound alike, but Sarig may help even them differentiate and appreciate this complex, fun, less-threatening relative of gangsta rap. A good introduction to its subject and appreciation of an important movement in pop music. Mike Tribby
Copyright © American Library Association. All rights reserved

Review

“Excels…Clear-headed: an essential document of the last two decades.” — Paste, May 2007

“Overflows with these kinds of minute details that… coalesce into a richer portrait of a scene and a culture.” — Playboy Online, 5/17/07

“Takes its cues directly from the music…when the beat is hot, so is the narrative…Fascinating.” — Orlando Weekly, 5/3/07

“The most thorough, definitive and well-researched exploration of Southern hip-hop’s history that we have.” — URB Magazine, 3/29/07

“To pull together so much material in such an engaging manner is remarkable.” — The Wire, (UK) 6/1/07

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