The Global Built Environment as a Representation of Realities: Why and How Architecture Should be Subject of Worldwide Comparison

The Global Built Environment as a Representation of Realities: Why and How Architecture Should be Subject of Worldwide Comparison book cover

The Global Built Environment as a Representation of Realities: Why and How Architecture Should be Subject of Worldwide Comparison

Author(s): Aart Mekking (Author)

  • Publisher: Pallas Publications
  • Publication Date: 18 Jun. 2009
  • Edition: 1st
  • Language: English
  • Print length: 212 pages
  • ISBN-10: 9087280637
  • ISBN-13: 9789087280635

Book Description

World architecture as a subject of comparative study is not new. In the first half of the 19th century, western and non-western ‘high cultures’ were seen as more or less equal, while their forms were compared with each other without significant attention to content, meaning or context. However, with the intensification and institutionalization of the colonisation of the non-western world, the urge developed to see western ethics and aesthetics as superior. Function came to be seen as the only determinant of form, and the contemporary array of supposedly functionally determined building forms in the west came to be established as the inevitably perfect result of an assumed evolutionary development. That one and the same function had undeniably led to diverging forms in different world regions was explained from the distribution over diverging geographical contexts in the course of history. Within these contexts, non-explicated forces would have repeatedly transported their absolute, regional characteristics onto any new building. The empirical field, however, shows that the ever-present dynamics in the combination of form, content and function is not merely steered by regional impulses but often also by non-regional representational needs. Therefore, in this book every part of the built environment, whether western or non-western, is seen as a representation of a certain reality. Because form and content are inextricably connected, every architectural creation should be seen as a new, meaningful combination, in the very specific context of a concrete commission of architectural elements that were already there. This paradigm proves to be an outstanding basis for the comparison of apparently incomparable objects like churches, mosques, Sufi building schemes, multi-ethnic neighbourhoods and Chinese building prescriptions, each of which seems to explicitly represent a new boundary without having felt too conscribed

Editorial Reviews

From the Inside Flap

Verscheidenheid in de bouw is noodzakelijk, ‘The Global Built Environment as a Representation of Realities’ laat zien waarom.Vrijwel iedereen vindt het vanzelfsprekend dat wereldwijd de modern genoemde Westerse bouwtradities worden gevolgd. Nu dit Westerse Bouwen in zijn thuisregio met allochtone bouwtradities wordt geconfronteerd, blijkt wat het steeds heeft gerepresenteerd: een allesbehalve modern maar al in de Oudheid en Middeleeuwen krachtig geuit, zich tijdloos wanend radicalisme op ethisch en esthetisch gebied. Vooral in Nederland is het Moderne Bouwen verstard tot een onaantastbare representatie van culturele superioriteit en vooruitgangsgeloof. Het verbaast dan ook niet dat de onmoderne bouwtradities van groepen nieuwe Nederlanders met hoon en afschuw worden bejegend. Dit boek reikt de zienswijze en de instrumenten aan om te begrijpen waarom deze verscheidenheid in bouwen noodzakelijk is.

From the Back Cover

Verscheidenheid in de bouw is noodzakelijk, ‘The Global Built Environment as a Representation of Realities’ laat zien waarom.Vrijwel iedereen vindt het vanzelfsprekend dat wereldwijd de ‘modern’ genoemde Westerse bouwtradities worden gevolgd. Nu dit ‘Westerse Bouwen’ in zijn thuisregio met ‘allochtone’ bouwtradities wordt geconfronteerd, blijkt wat het steeds heeft gerepresenteerd: een allesbehalve ‘modern’ maar al in de Oudheid en Middeleeuwen krachtig geuit, zich tijdloos wanend radicalisme op ethisch en esthetisch gebied. Vooral in Nederland is het ‘Moderne Bouwen’ verstard tot een onaantastbare representatie van culturele superioriteit en vooruitgangsgeloof. Het verbaast dan ook niet dat de ‘onmoderne’ bouwtradities van groepen nieuwe Nederlanders met hoon en afschuw worden bejegend. Dit boek reikt de zienswijze en de instrumenten aan om te begrijpen waarom deze verscheidenheid in bouwen noodzakelijk is.

About the Author

Eric Roose is a Postdoctoral Fellow at the Amsterdam School for Social Science Research (ASSR) of the University of Amsterdam. Aart Mekking is professor of Architecture at Leiden University. Eric Roose is a researcher at the International Institute for the Study of Islam in the Modern World (ISIM).

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