The Stranger

The Stranger book cover

The Stranger

Author(s): Albert Camus (Author), Matthew Ward (Translator)

  • Publisher: Vintage
  • Publication Date: March 13, 1989
  • Language: English
  • Print length: 144 pages
  • ISBN-10: 9780679720201
  • ISBN-13: 9780679720201

Book Description

NOW A MAJOR MOTION PICTURE • The masterpiece of Nobel Prize winner Albert Camus now in a striking American English translation. The Stranger remains vital for its unsettling insights into the impossibility of moral certainty in the face of violence.

“Matthew Ward has done Camus and us a great service. The Stranger is now a different and better novel for its American readers; it is now our classic as well as France’s.”—Chicago Sun-Times

Since it was first published in English, in 1946, Albert Camus’s first novel, The Stranger (L’etranger), has had a profound impact on millions of American readers. Through this story of an ordinary man who unwittingly gets drawn into a senseless murder on a sundrenched Algerian beach, Camus explored what he termed “the nakedness of man faced with the absurd.”

Now, in this illuminating translation, extraordinary for its exactitude and clarity, the original intent of The Stranger is made more immediate. This haunting novel has been given a new life for generations to come.

Editorial Reviews

Amazon.com Review

The Stranger is not merely one of the most widely read novels of the 20th century, but one of the books likely to outlive it. Written in 1946, Camus’s compelling and troubling tale of a disaffected, apparently amoral young man has earned a durable popularity (and remains a staple of U.S. high school literature courses) in part because it reveals so vividly the anxieties of its time. Alienation, the fear of anonymity, spiritual doubt–all could have been given a purely modern inflection in the hands of a lesser talent than Camus, who won the Nobel Prize in 1957 and was noted for his existentialist aesthetic. The remarkable trick of The Stranger, however, is that it’s not mired in period philosophy.

The plot is simple. A young Algerian, Meursault, afflicted with a sort of aimless inertia, becomes embroiled in the petty intrigues of a local pimp and, somewhat inexplicably, ends up killing a man. Once he’s imprisoned and eventually brought to trial, his crime, it becomes apparent, is not so much the arguably defensible murder he has committed as it is his deficient character. The trial’s proceedings are absurd, a parsing of incidental trivialities–that Meursault, for instance, seemed unmoved by his own mother’s death and then attended a comic movie the evening after her funeral are two ostensibly damning facts–so that the eventual sentence the jury issues is both ridiculous and inevitable.

Meursault remains a cipher nearly to the story’s end–dispassionate, clinical, disengaged from his own emotions. “She wanted to know if I loved her,” he says of his girlfriend. “I answered the same way I had the last time, that it didn’t mean anything but that I probably didn’t.” There’s a latent ominousness in such observations, a sense that devotion is nothing more than self-delusion. It’s undoubtedly true that Meursault exhibits an extreme of resignation; however, his confrontation with “the gentle indifference of the world” remains as compelling as it was when Camus first recounted it. –Ben Guterson

Review

A PARADE BEST BOOK OF ALL TIME

The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and ­devious narrator remains one of the key expressions of a postwar Western malaise, and one of the cleverest exponents of a literature of ambiguity.” —from the Introduction by Peter Dunwoodie

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