State of Play: Contemporary ‘High-End’ Tv Drama-Wow! eBook

State of Play: Contemporary 'High-End' Tv Drama book cover

State of Play: Contemporary 'High-End' Tv Drama

Author(s): Robin Nelson (Author)

Publisher: Manchester University Press
Publication Date: 1 Nov. 2007
Edition: Illustrated
Language: English
Print length: 232 pages
ISBN-10: 0719073103
ISBN-13: 9780719073106

Book Description

Robin Nelson’s State of play updates and develops the arguments of his influential TV Drama In Transition (1997). It is equally distinctive in setting analusis of the aesethetics and compositional principles of texts within a broad conceptual framework (technologies, institutions, economics, cultural trends). Tracing “the great value shift from conduit to content” (Todreas, 1999), Nelson is relatively optimistic about the future quality of TV Drama in a global market-place. But, characteristically taking up questions of worth where others have avoided them, Nelson recognizes that certain types of “quality” are privileged for viewers able to pay, possibly at the expense of viewer preference worldwide for “local” resonances in television. The mix of arts and cultural studies methodologies makes for an unusual and insightful approach.

Editorial Reviews

Review

“In “State of Play”, Robin Nelson carefully analyses the “qualities” of high-end TV drama rather than pursuing one limiting version of “quality.” A colourful contribution to debates in Television and Cultural Studies, and a vibrant comparison of American and British TV traditions, this book makes a passionate and, yes, shameless case for viewing much contemporary Television drama as part of a new “Golden Age.””–Matthew Hills, Senior Lecturer in Media and Cultural Studies at Cardiff University.

“In “State of Play,” Robin Nelson carefully analyses the “qualities” of high-end TV drama rather than pursuing one limiting version of “quality.” A colourful contribution to debates in Television and Cultural Studies, and a vibrant comparison of American and British TV traditions, this book makes a passionate and, yes, shameless case for viewing much contemporary Television drama as part of a new “Golden Age.””–Matthew Hills, Senior Lecturer in Media and Cultural Studies at Cardiff University.

From the Inside Flap

Robin Nelson’s State of play up-dates and develops the arguments of his influential TV Drama In Transition (1997). It is equally distinctive in setting analusis of the aesethetics and compositional principles of texts within a broad conceptual framework (technologies, institutions, economics, cultural trends). Tracing “the great value shift from conduit to content” (Todreas, 1999), Nelson is relatively optimistic about the future quality of TV Drama in a global market-place. But, characteristically taking up questions of worth where others have avoided them, Nelson recognizes that certain types of “quality” are privileged for viewers able to pay, possibly at the expense of viewer preference worldwide for “local” resonances in television. The mix of arts and cultural studies methodologies makes for an unusual and insightful approach.

From the Back Cover

About the Author

Robin Nelson is Professor of Theatre and TV Drama in the Department of Contemporary Arts at Manchester Metropolitan University

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