
Speaking Desires can be Dangerous: The Poetics of the Unconscious
Author(s): Elizabeth Wright (Author)
- Publisher: Polity
- Publication Date: April 14, 2000
- Language: English
- Print length: 208 pages
- ISBN-10: 0745619681
- ISBN-13: 9780745619682
Book Description
Editorial Reviews
Review
“Elizabeth Wright provides a “how-to” handbook on reading literary texts through psychoanalytic theory. She carefully and intelligently presents a compact description of a psychoanalytic reading, defines “discourse”, as well as the “clinical case”. These are the three core concepts for any understanding of a psychoanalytic approach to literature and language. They are well illustrated by insightful and comprehensible examples from Shakespeare to the German expressionist Alfred Kubin and the American writer Robert Coover and by examples from pyschoanalysts Julia Kristeva, Joyce McDougall and Wilfred Bion. An indispensable guide for student and critic alike.” Sander Gilman
“With an acute eye Speaking Desires seamlessly weaves together psychoanalytic theory and literary criticism as only one equally at ease in both discourses can do.” Psychoanalytic Studies
From the Inside Flap
In Part I, Wright focuses on the discoveries of Freudian psychoanalysis and demonstrates how the fundamental fantasies emerging in clinical practice are uncannily shared by works of art. This devotion of the unconscious to its phantasmic history is illustrated with examples from Freud, surrealist painting and Julia Kristeva’s work on melancholia. In Part II, the focus shifts to Lacan’s view of language as a means of agitating the unconscious of the reader. Part III takes examples from the rhetoric of clinical discourse, showing how practitioners are aware of a range of poetic meanings for both patient and analyst. The three parts demonstrate that all language is inescapably figural, as it betrays the operations of desire and fantasy in both aesthetic and clinical discourse.
This book is suitable for second- and third-year undergraduate students and above in literature and literary theory, feminism and gender studies, and psychoanalysis.
From the Back Cover
In Part I, Wright focuses on the discoveries of Freudian psychoanalysis and demonstrates how the fundamental fantasies emerging in clinical practice are uncannily shared by works of art. This devotion of the unconscious to its phantasmic history is illustrated with examples from Freud, surrealist painting and Julia Kristeva’s work on melancholia. In Part II, the focus shifts to Lacan’s view of language as a means of agitating the unconscious of the reader. Part III takes examples from the rhetoric of clinical discourse, showing how practitioners are aware of a range of poetic meanings for both patient and analyst. The three parts demonstrate that all language is inescapably figural, as it betrays the operations of desire and fantasy in both aesthetic and clinical discourse.
This book is suitable for second- and third-year undergraduate students and above in literature and literary theory, feminism and gender studies, and psychoanalysis.
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