Singing in Musical Theatre: The Training of Singers and Actors

Singing in Musical Theatre: The Training of Singers and Actors book cover

Singing in Musical Theatre: The Training of Singers and Actors

Author(s): Joan Melton (Author), Angela Punch Mcgregor (Foreword)

  • Publisher: Allworth
  • Publication Date: August 7, 2007
  • Edition: 1st
  • Language: English
  • Print length: 240 pages
  • ISBN-10: 1581154828
  • ISBN-13: 9781581154825

Book Description

What does it take to be a musical theatre performer? What kind of training is required to do eight shows a weekacting, dancing, and singing in a wide variety of vocal styles? This insider’s look into the unique demands of musical theatre performance establishes connecting links between voice training for the singer and drama school training for the actor. By reading these revealing interviews, performers in every area of theatre can: — Discover what it takes to go from a first lesson to a solid professional technique
Consider the requirements for singers in musical theatre today, how they have changed, and where they are going — See how different teachers approach six aspects of voice training: alignment, breathing, range resonance, articulation, and connection Understand the interconnectedness of musical theatre and theatre voice. A foreword by leading Australian actor Angela Punch McGregor personalizes the connective links among trainings as she describes her preparation for Sunset Boulevard. A must-read for anyone who is serious about voice and the theatre.

Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don’t aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

Editorial Reviews

Review

“A wonderful book that finally converges the body with singing and speaking! Melton enlightens the reader by presenting, in a clear manner, the notion that the training of singers and actors is most definitely interconnected.” — Robert Lewis, Lecturer in Voice, Academy of the Arts, University of Tasmania

“I love this book! It is an invaluable resource for every singer. It=s like having a voice lesson in your living room with sixteen of the top voice teachers in the world all at once! On top of that, Joan has made it clear, once again, that it’s the same voice you use when acting and when singing, and for classical, musical theatre and contemporary styles. — Mara Davi, Janet in The Drowsy Chaperone, Broadway 2007

“Joan Melton’s interviews with some of the top teachers of singing for musical theatre today are a delight: full of insights and information from around the globe, which will be of value to any voice teacher working with actors or singers.” — David Carey, Senior Voice Tutor, Royal Academy of Dramatic Arts, London

From the Publisher

By reading these revealing interviews, performers in every area of theatre can:

Discover what it takes to go from a first lesson to a solid professional technique

Consider the requirements for singers in musical theatre today, how they have changed, and where they are going See how different teachers approach six aspects of voice training: alignment, breathing, range resonance, articulation, and connection

Understand the interconnectedness of musical theatre and theatre voice

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