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Romanticism & the School of Nature: Nineteenth-Century European Drawings and Oil Sketches From the Karen B. Cohen Collection 1st Ed. Edition
Author(s): Colta Ives (Author)
- Publisher: Metropolitan Museum of Art
- Publication Date: October 1, 2000
- Edition: 1st Ed.
- Language: English
- Print length: 288 pages
- ISBN-10: 0300085117
- ISBN-13: 9780300085112
Book Description
This book presents more than one hundred nineteenth-century French and English paintings, drawings, and oil sketches from the collection of noted New York collector Karen B. Cohen. Held privately for many years, most of the works are little known, and many have never been published before despite the renown of their artists- among them such masters as Courbet, Constable, Delacroix, Géricault, Corot, and Rousseau. The authors provide commentary on each work and place it in the context of the artist’s development and contemporary artistic trends. This book accompanies an exhibition at The Metropolitan Museum of Art that runs from 16 October 2000 to 21 January 2001.
Editorial Reviews
From the Inside Flap
This publication presents one hundred and fifteen drawings and paintings from the holdings of Karen B. Cohen, a noted New York collector. These French and English nineteenth-century works include landscapes, portraits, compositions, and still lifes by great artists of the Romantic period, of the Barbizon School, and of the Realist School, beginning with Prud’hon and ending with Seurat. A varied range of compositions by such masters as Gericault, Corot, Rousseau, Couture, Daubigny, and especially Delacroix is included. Among the highlights is a group of oil paintings by Courbet-both landscapes and portraits-and a series of cloud studies by Constable. Because these pictures have been held for so long in private hands, most are little known today, despite the fact that they were made by noted masters. Many are published here for the ?rst time, often with comparative illustrations.Colta Ives conceived this publication and is its main author. She provides documentation and commentary for each work, placing it within the context of the artist’s development and connecting it to contemporary artistic trends and innovations. Elizabeth E. Barker has contributed entries on Constable and Bonington. The character of the images assembled is remarkable, re?ecting the collector’s personal response to the turbulent dramas of the Romantics, the fresh discovery of landscape by French and English painters of the School of Nature, and the somber realism of Courbet and his followers. Nearly all the artists represented were alternately damned and praised for their modernity, for they were eager to present the natural world in as vivid a way as possible. Their sensitive treatment of nature and of human life, frequently in a ?uid, cursory style, was intended to elicit a heightened response from the viewer. For the most part ancient history and myth were left behind for the immediacy of the present.
Romanticism & the School of Nature is also the story of an exceptional collector and her independent discoveries. This publication will accompany an exhibition shown at The Metropolitan Museum of Art from October 16, 2000, to January 21, 2001.Colta Ives is Curator, Department of Drawings and Prints, The Metropolitan Museum of Art. This book accompanies an exhibition at The Metropolitan Museum of Art that runs from 16 October 2000 to 21 January 2001.
About the Author
Elizabeth E. Barker is Assistant Curator, Department of Drawings and Prints, The Metropolitan Museum of Art
