Reading Chinese Painting: Beyond Forms and Colors, A Comparative Approach to Art Appreciation 3rd ed. Edition

Reading Chinese Painting: Beyond Forms and Colors, A Comparative Approach to Art Appreciation 3rd ed. Edition book cover

Reading Chinese Painting: Beyond Forms and Colors, A Comparative Approach to Art Appreciation 3rd ed. Edition

Author(s): Sophia Suk Law (Author), Tony Blishen (Translator)

  • Publisher: Shanghai Press
  • Publication Date: October 18, 2016
  • Edition: 3rd ed.
  • Language: English
  • Print length: 168 pages
  • ISBN-10: 1602200246
  • ISBN-13: 9781602200241

Book Description

Discover the rich history and techniques of Chinese painting through a comparative lens. This insightful exploration bridges Eastern and Western art traditions, offering a unique perspective on traditional Chinese art. Delve into the nuances of figure painting, landscape artistry, and the delicate world of flower-and-bird compositions.

Uncover the essence of Chinese art, guided by Confucianism and Daoism, and appreciate the spiritual abstraction that defines it. This is more than a visual experience; it’s a journey into the soul of Chinese culture. Perfect for art enthusiasts and cultural explorers seeking a deeper understanding.

  • Understand the distinct characteristics of Chinese painting.
  • Appreciate the philosophical underpinnings of Chinese art.
  • Explore the spiritual dimensions of artistic expression.

Editorial Reviews

About the Author

Sophia LAW Sukmun (Luo Shumin) is an Associate Professor in the Department of Visual Studies of Lingnan University, Hong Kong where she teaches courses in the history of Chinese and Western art and art and community. In the 1980s she studied painting with the late master of the Lingnan School, Mr. Yang Shanshen with particular reference to the characteristics of the development of Chinese and Western art. In 1994 she studied the history of art at the University of Hong Kong and in 1997 undertook research on the history of Chinese art in the 20th century with a doctoral thesis on Zhang Daqian and the development of 20th century Chinese art.

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