“[T]he contribution Watkins has made is so varied and robust that any social or cultural historian of the Great War simply cannot afford to do without it. Of how many of our colleagues’ work can we say the same?”Jay Winter, Yale University
“The cover of Glenn Watkins’ book
Proof through the Night: Music and the Great War shows an astonishing Stravinsky manuscript of an innocent march ambushed by the composer’s own Futurist-inspired paintings of exploding cannons a perfect symbol for the book’s ground-breaking, earthshaking account of the varied and surprising roles that music played during the First World War. The first musician ever to speak to the international conference of World War I scholars at the Historial de la Grande Guerre in Péronne, France, Glenn Watkins once again leads the way in interdisciplinary cultural studies, weaving together the music, art, and socio-political histories of the early 20th century into a truly meaningful picture of the human condition in a time of international crisis. Glenn Watkins’ lectures on Music and the Great War, given at New York’s Lincoln Center in preparation for this volume, gave fair warning of an imminent attack on the idea of history as battle maneuvers without considering vital questions of culture. Only a lifetime of intellectual passion and rigorous, relentless scholarship could produce such a book.”Bruce Adolphe, composer and lecturer, The Chamber Music Society of Lincoln Center
“Music and History intersect magnificently in the scholarship of Glenn Watkins. Politics, nationalism, combat, technology, art, literature and, above all, the sounds – beautiful and horrible – that charged wartime life and accompanied mass death. All these, and more, suffuse the vast symphony of war that Professor Watkins presents so clearly and analyzes so convincingly. Proof Through the Night is a master’s work of interdisciplinary, yet disciplined, writing about music.”David B. Dennis, author of
Beethoven in German Politics, 1870-1989
“Glenn Watkins’s new book is a synthesis of biographical, music-analytical, literary, political, and historical information about European and American music between 1914 and 1918. He combines extremely diverse materials into a single story, by turns fascinating, entertaining, and sad . The book will be a rich source of information and judgments about music and culture in general at a crucial moment of modern history.”John Spitzer, Peabody Conservatory, Johns Hopkins University
“[Watkins’s] narrative is vivid and enthralling, as it could hardly fail to be, and I suspect that even seasoned cultural historians specialising in this period will learn new things from Watkins’s supremely well-managed synthesis. His background research and reading have reached into the furthest corners: very little of any possible relevance is missed.”Arnold Whittall
“[T]he contribution Watkins has made is so varied and robust that any social or cultural historian of the Great War simply cannot afford to do without it. Of how many of our colleagues’ work can we say the same?”―Jay Winter, Yale University
“The cover of Glenn Watkins’ book
Proof through the Night: Music and the Great War shows an astonishing Stravinsky manuscript of an innocent march ambushed by the composer’s own Futurist-inspired paintings of exploding cannons – a perfect symbol for the book’s ground-breaking, earthshaking account of the varied and surprising roles that music played during the First World War. The first musician ever to speak to the international conference of World War I scholars at the Historial de la Grande Guerre in Péronne, France, Glenn Watkins once again leads the way in interdisciplinary cultural studies, weaving together the music, art, and socio-political histories of the early 20th century into a truly meaningful picture of the human condition in a time of international crisis. Glenn Watkins’ lectures on Music and the Great War, given at New York’s Lincoln Center in preparation for this volume, gave fair warning of an imminent attack on the idea of history as battle maneuvers without considering vital questions of culture. Only a lifetime of intellectual passion and rigorous, relentless scholarship could produce such a book.”―Bruce Adolphe, composer and lecturer, The Chamber Music Society of Lincoln Center
“Music and History intersect magnificently in the scholarship of Glenn Watkins. Politics, nationalism, combat, technology, art, literature and, above all, the sounds – beautiful and horrible – that charged wartime life and accompanied mass death. All these, and more, suffuse the vast symphony of war that Professor Watkins presents so clearly and analyzes so convincingly. Proof Through the Night is a master’s work of interdisciplinary, yet disciplined, writing about music.”―David B. Dennis, author of
Beethoven in German Politics, 1870-1989
“Glenn Watkins’s new book is a synthesis of biographical, music-analytical, literary, political, and historical information about European and American music between 1914 and 1918. He combines extremely diverse materials into a single story, by turns fascinating, entertaining, and sad . The book will be a rich source of information and judgments about music and culture in general at a crucial moment of modern history.”―John Spitzer, Peabody Conservatory, Johns Hopkins University
“[Watkins’s] narrative is vivid and enthralling, as it could hardly fail to be, and I suspect that even seasoned cultural historians specialising in this period will learn new things from Watkins’s supremely well-managed synthesis. His background research and reading have reached into the furthest corners: very little of any possible relevance is missed.”―Arnold Whittall
About the Author
Glenn Watkins is Earl V. Moore Professor Emeritus at the University of Michigan, Ann Arbor, and author of Pyramids at the Louvre: Music, Culture, and Collage from Stravinsky to the Postmodernists (1994), Soundings: Music in the Twentieth Century (1988), and Gesualdo: The Man and His Music (1991).
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