Postcolonial Borges: Argument and Artistry

Postcolonial Borges: Argument and Artistry book cover

Postcolonial Borges: Argument and Artistry

Author(s): Robin Fiddian (Author)

  • Publisher: Oxford University Press
  • Publication Date: October 10, 2017
  • Edition: 1st
  • Language: English
  • Print length: 240 pages
  • ISBN-10: 0198794711
  • ISBN-13: 9780198794714

Book Description

Postcolonial Borges is the first systematic account of geo-political and postcolonial themes in a range of writings by Borges, from the poetry and essays of the 1920s, through the prose and poetry of the middle years (the 40s, 50s, and 60s), to the stories of El informe de Brodie and the poems of La cifra and other later collections. Robin Fiddian analyses the development of a postcolonial sensibility in works such as ‘Mythical Founding of Buenos Aires’, ‘Tlon, Uqbar, Orbis Tertius’, ‘Theme of the Traitor and the Hero’, and ‘Brodie’s Report’. He examines Borges’s treatment of national and regional identity, and of East-West relations, in several essays and poems, contained, for example, in Other Inquisitions and Seven Nights. The theoretical concepts of ‘coloniality’ and ‘Occidentalism’ shed new light on several works by Borges, who acquires a sharper political profile than previously acknowledged. Fiddian pays special attention to Oriental subjects in Borges’s works of the 70s and 80s, where their treatment is bound up with a critique of Occidental values and assumptions. Classified by some commentators over the years as a precursor of post-colonialism, Borges in fact emerges as a prototype of the postcolonial intellectual exemplified by James Joyce, Aime Cesaire (for example), and Edward Said. From a regional perspective, his repertoire of geopolitical and historical concerns resonates with those of Leopoldo Zea, Enrique Dussel, Eduardo Galeano, and Joaquin Torres García, who illustrate different strands and kinds of Latin American post-colonialism(s) of the twentieth century. At the same time, manifest differences in respect of political and artistic temperament mark Borges out as a postcolonial intellectual and creative writer who is sui generis.

Editorial Reviews

Review

“An indispensable study, Postcolonial Borges allows us to (re-)encounter a writer sharply attuned to the vexed colonial legacies and geopolitical issues of his time, a contradictory figure whose aesthetic development was marked by a shift from youthful political activism to a detached conservative leaning.” — Patricia Novillo-Corvalan, Modern Language Review

“Summing Up: Highly recommended. Upper-division undergraduates through faculty.” –J. Walker, CHOICE

About the Author

Robin Fiddian, Wadham College, Oxford

Robin Fiddian graduated with a Master’s degree and a Doctorate from Edinburgh University. He is Emeritus Fellow of Wadham College Oxford, having held the post of Tutorial Fellow in Spanish there from 1990 to 2015. Previously Robin Fiddian taught at University of Strathclyde, University College, Galway, Republic of Ireland, and University of Newcastle upon Tyne. He was Visiting Professor at University of Texas at Austin (1980), University of Virginia at Charlottesville (2002), and University of California at Los Angeles (2007). Robin Fiddian’s research interests include modern peninsular Spanish literature, Spanish cinema, and modern Spanish American literature (with special reference to Mexico, Colombia, and Argentina).

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