In Postwar Anglophone Lebanese Fiction, Hout delivers a pioneering work of scholarship of what she presciently foresees becoming “a fuller-fledged variant of diasporic Lebanese literature” (p. 11). During a period where transnational Arab literature is still more commonly grouped under the country of relocation (for example, Arab Americarab Canadian), Hout importantly offers new possibilities for analytical distinction. Her qualification of how these authors’ works resist official, amnesiac Lebanese policy regarding remembering and commemoration of the civil war also reveals an important political purpose for the literature under analysis… An interdisciplinary study that offers a fresh analysis of the works of several individually celebrated authors, Postwar Anglophone Lebanese Fiction reveals new pathways of interpretation, and for scholarship more broadly.”, Omar Zahzah, H-Levant
For both the generalist and the specialist reader, Hout’s text offers a fine overview of the central themes in Lebanese diaspora writing. At its core, it provides a powerful argument for why we need to be reading these rich if often dark novels.’, Mara Naaman, Williams College, Postcolonial Text
It is destined for the syllabi of university literature courses from here to Sydney, London, Los Angeles and Montreal. Cheer for those students … They have a solid piece of scholarly research to support and sustain their reading….Hout admirably lays out the landscape of several disciplinary fields and academic eras, which is again a gift to future students. She is at her best, however, on the explosive style and content of the novels (and short story collections) themselves.’, The Daily Star, Lebanon
With this clearly argued and critically nuanced study Syrine Hout presents her readers with a thought-provoking analysis of contributions to an emerging literary phenomenon, fictions by writers of Lebanese origin penned in English. This is an important addition to the ever growing library of critical studies devoted to fiction of English expression written by that most oxymoronic of categories, the insider outside.’, Roger Allen, Professor Emeritus of Arabic and Comparative Literature, University of Pennsylvania
From the Back Cover
Edinburgh Studies in Modern Arabic Literature Series Editor: Rasheed El-Enany This series, dedicated to the study of modern Arabic literature, is unique and unprecedented. It includes contemporary genre studies, single-author studies, studies of particular movements, trends, groupings, themes and periods in Modern Arabic Literature, as well as country/region-based studies. ‘With this clearly argued and critically nuanced study Syrine Hout presents her readers with a thought-provoking analysis of contributions to an emerging literary phenomenon, fictions by writers of Lebanese origin penned in English. This is an important addition to the ever-growing library of critical studies devoted to fiction of English expression written by that most oxymoronic of categories, the insider outside.’ Roger Allen, Professor Emeritus of Arabic and Comparative Literature, University of Pennsylvania Investigates the semantic permutations of ‘homeness’ in post-war diasporic Anglophone Lebanese novels This book examines the phenomenon of the post-civil war Anglophone Lebanese fictional narrative by exploring the permutations of ‘homeness’ – the different spaces (homeland, host country, geographical in-betweenness), mental states and ideals – and how all of these interact. It also demonstrates how a collection of stylistically diverse texts characterises a new cultural trend: the founding of a fully fledged variant of foreign-language Lebanese transnational literature in the diaspora. Most of the texts have been produced in, and are about, exile. They deal not only with the brutal civil strife in Lebanon (1975-90) but with one of its crucial and long-standing by-products: expatriation. Syrine Hout teases out the different meanings and reformulations of home in these novels, be it Lebanon as a nation, a house, a host country, an irretrievable pre-war childhood, a state of in-between dwelling, a portable state of mind and/or a utopian ideal. Key Features – Studies 11 texts, many of which have reaped international acclaim – Focuses on the novels of Nathalie Abi-Ezzi, Rabih Alameddine, Nada Awar Jarrar, Rawi Hage, Tony Hanania and Patricia Sarrafian Ward – Includes an extended bibliography to encourage further research – Locates Anglophone Lebanese fiction in larger theoretical discourses on memory, trauma, nationalism and militarisation Syrine Hout is Associate Professor of English at the American University of Beirut. She is author of Viewing Europe from the Outside (1997). Cover design: www.richardbudddesign.co.uk Cover image: Lebanese postage stamp (c) sinankocaslan/iStockphoto [insert logo file] www.euppublishing.com
About the Author
Syrine Hout is Associate Professor in the Department of English at the American University of Beirut. She is author of Viewing Europe from the Outside: Cultural Encounters and Critiques in the 18th-Century Pseudo-Oriental Travelogue and the 19th-Century ‘Voyage en Orient.’ (Peter Lang, 1997).
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