Platinum and Palladium Printing 2nd Edition-Wow! eBook

Platinum and Palladium Printing 2nd Edition book cover

Platinum and Palladium Printing 2nd Edition

Author(s): Dick Arentz (Author)

Publisher: Focal Press
Publication Date: December 28, 2004
Edition: 2nd
Language: English
Print length: 256 pages
ISBN-10: 0240806069
ISBN-13: 9780240806068

Book Description

Platinum and palladium printing is one of the easiest of the non-silver processes to learn. This guide offers a number of variations, which the photographer can closely control. Photographers interested in learning, or improving upon this process, will find this book an indispensable resource and reference guide. This is an absolute must-have for professional photographers and printmakers.

Inside you will find:

*The three basic phases of printing: sensitometry, chemistry, and mechanics
*Practical information based on the making of over 3,000 platinum and palladium prints, covering everything from making your first print, to the most advanced techniques to challenge experienced printers
*Over 50 duotones of the author’s platinum and palladium prints and those of five contributors

Also included for the first time are contributions written by recognized authorities in their fields:

*Pyro and Platinum Printing by Bob Herbst
*Crafting Digital Negatives by Mark Nelson
*Ultraviolet Light Sources by Sandy King
*Custom Platinum Printing by Stan Klimek The PDF version includes Addendum 2014, covering digital negatives and high-humidity printing. Updated, full-page charts are included. This is not available in the print version.

Editorial Reviews

Review

“If you are seriously interested in the process or have tried it but want to improve, this is the book for you.”
Amateur Photographer

From the Author

PDF CD ROM

From the Back Cover

Dick Arentz is a fine-art photographer with more than 75 one-person exhibits of his work throughout the United States and Europe. He is well known as the authority on platinum and palladium printing and has given numerous workshops and seminars on the subject continuously for the past 25 years. His work is included in most major museums and corporate collections, including The New York and San Francisco Museums of Modern Art, The International Center of Photography, The George Eastman House and The Center for creative Photography.

About the Author

Dick Arentz is a fine-art photographer with more than 75 one-person exhibits of his work. He is well known as the authority on platinum and palladium printing and has given more than 30 workshops and seminars on the subject. His work is included in most major museums and corporate collections. In 1969, after amateur activities, Dick Arentz began three years of study with Phil Davis of the Photography Department at the University of Michigan. His interest at that time was in the large format silver contact print. As an informal “thesis,” he produced the Death Valley Portfolio in 1972. That was reproduced in a 1973 issue of Camera Magazine. After a sabbatical in Europe in 1973, Dick Arentz relocated in Flagstaff, Arizona where he taught studio and photographic history at Northern Arizona University. In 1978, He was selected by the Arts and Humanities Commission as one of Twenty Arizona Artists. That year he began a six year project which was to be published as Four Corners Country in 1986, partly subsidized by a Edna Rider Whiteman Foundation Grant. The book was reissued in soft cover in 1994. He returned to Ann Arbor in 1980 to study the platinum process with Phil Davis. Because of the lack of published information and the unpredictability of materials, he began researching and writing about platinum and palladium techniques. In 1983, he began to produce negatives with an antique 12×20 Folmer and Schwing Camera. By 1985, major museums and corporations began to collect his work. In 1987, he produced The American Southwest, a limited edition portfolio of 12×20 platinum prints with an essay by James Enyeart. In 1988, desirous of a change in subject matter, Arentz accepted an Isaac W. Bernheim Fellowship to live and work in Kentucky. He began a two year project photographing the Midsouthern states and Appalachia, concentrating on the human effect of the landscape. In 1990, a traveling exhibition and catalogue of that work, Outside The Mainstream, with an i

View on Amazon

电子书代发PDF格式价格30元我要求助