Performers' Voices Across Centuries And Cultures - Selected Proceedings Of The 2009 Performer's Voice International Symposium: Selected Proceedings of ... University of Singapore, 29 Oct - 2 Nov 2009

Performers' Voices Across Centuries And Cultures - Selected Proceedings Of The 2009 Performer's Voice International Symposium: Selected Proceedings of ... University of Singapore, 29 Oct - 2 Nov 2009 book cover

Performers' Voices Across Centuries And Cultures – Selected Proceedings Of The 2009 Performer's Voice International Symposium: Selected Proceedings of … University of Singapore, 29 Oct – 2 Nov 2009

Author(s): Anne Marshman

  • Publisher: Icp
  • Publication Date: 27 Oct. 2011
  • Edition: Illustrated
  • Language: English
  • Print length: 240 pages
  • ISBN-10: 1848168810
  • ISBN-13: 9781848168817

Book Description

This book and its accompanying website present the selected proceedings of the inaugural, ‘The Performer’s Voice: An International Forum for Music Performance and Scholarship’, directed by Dr Anne Marshman (editor) and hosted by the Yong Siew Toh Conservatory of Music, National University of Singapore. The chapters, which were selected through a process of international peer review, reflect the symposium’s wide-ranging interdisciplinary scope, coupled with an uncompromising emphasis on the act of performance, the role of the performer and the professional performer’s perspective.

Editorial Reviews

Review

Performers’ Voices Across Centuries and Cultures is a rare offering amongst the vast array of published music research. This collection of essays presents intriguing musicological narratives and insights into performers’ processes and intentions on topical issues and perspectives of old and new music Its hybrid format incoporates noted examples in the text with musical examples available online. — Dr Daniela Kaleva “University of South australia”

From the Back Cover

This book and its accompanying website present the selected proceedings of the inaugural, ‘The Performer’s Voice: An International Forum for Music Performance and Scholarship’, directed by Dr Anne Marshman (editor) and hosted by the Yong Siew Toh Conservatory of Music, National University of Singapore. The chapters, which were selected through a process of international peer review, reflect the symposium’s wide-ranging interdisciplinary scope, coupled with an uncompromising emphasis on the act of performance, the role of the performer and the professional performer’s perspective.

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