The Passion

The Passion book cover

The Passion

Author(s): Jeanette Winterson (Author)

  • Publisher: Grove Press
  • Publication Date: August 7, 1997
  • Language: English
  • Print length: 176 pages
  • ISBN-10: 0802135226
  • ISBN-13: 9780802135223

Book Description

The New York Times–bestselling author interweaves the destinies of Napoleon's cook and an enigmatic Venetian woman in this "arresting, elegant novel" (Publishers Weekly).

A faithful soldier of the Grande Armée, Henri is given the honor of serving meals to Napoleon himself. After all, Henri is short—and no one over five-foot-two ever serves the emperor. But when following his revered leader brings him to near-starvation in Russia's frozen winter, Henri is disillusioned and desperate for escape.

The web-footed daughter of a Venetian boatman, Villanelle has long been acquainted with the advantages of dishonesty. Trust hasn't been her strong suit since her heart was stolen—literally—by a noblewoman she once loved.

Soon these two will meet their shared destiny in the chaotic carnival that is early 19th century Venice. In The Passion, Whitbread Award-winning author Jeanette Winterson delivers a "historical novel quite different from any other" (Vanity Fair).

"Recalls García Márquez . . . Magical touches dance like highlights over the brilliance of this fairy tale about passion, gambling, madness, and androgynous ecstasy." —Edmund White

Editorial Reviews

Amazon.com Review

In 1985 Jeanette Winterson won the Whitbread Award for best first fiction for the semi-autobiographical Oranges Are Not the Only Fruit, an often wry exploration of lesbian possibility bumping up against evangelical fanaticism. She was 25. Two years later, The Passion, her third novel, appeared, the fantastical tale of Henri--Napoleon's cook--and Villanelle, a Venetian gondolier's daughter who has webbed feet (previously an all-male attribute), works as a croupier, picks pockets, cross-dresses, and literally loses her heart to a beautiful woman. Written in a lyrical and jolting combination of fairy tale diction and rhythm and the staccato, the book would be a risky proposition in lesser hands. Winterson has said that she wanted to look at people's need to worship and examine what happens to young men in militaristic societies. The question was, how to do so without being polemical and didactic? Only she could have come up with such an exquisite answer. In the end, Henri, incarcerated on an island of madmen, becomes aware that his passion, "even though she could never return it, showed me the difference between inventing a lover and falling in love. The one is about you, the other about someone else."

Review

“Its concentrated, beautifully detailed prose recalls the diction of fairy tale; its plot incorporates their magic, their shrewd wit and brutality…a deeply imagined and beautiful book, often arrestingly so.” —The New York Times

“Recalls Garcia Marquez…magical touches dance like highlights over the brilliance of this fairy tale about passion, gambling, madness, and androgynous ecstasy.” —Edmund White

“A historical novel quite different from any other…it is written with a living passion, an eyewitness immediacy….Winterson is a master of her material, a writer in whom great talent deeply abides.” —Vanity Fair

“The overwhelming impression of her work is one of remarkable self-confidence, and she evidently thrives on risk….As good as Poe: it dares you to laugh and stares you down.” —The New York Review of Books

“The book has the enchanted pessimism of the best fairy tales. The Passion is a love story, a meditation on pleasure and its limits, a poetic novel written in a style that is wholly original.” —Interview

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