Opera in the Novel from Balzac to Proust

Opera in the Novel from Balzac to Proust book cover

Opera in the Novel from Balzac to Proust

Author(s): Cormac Newark (Author)

  • Publisher: Cambridge University Press
  • Publication Date: May 9, 2011
  • Edition: 1st
  • Language: English
  • Print length: 298 pages
  • ISBN-10: 0521118905
  • ISBN-13: 9780521118903

Book Description

The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac’s La Comédie humaine to Proust’s À la recherche du temps perdu, by way of (among others) Dumas père’s Le Comte de Monte-Cristo and Leroux’s Le Fantôme de l’Opéra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.

Editorial Reviews

Review

‘With an obvious and informed enthusiasm for the subject, Newark balances literary and musicological considerations with quite and persuasive authority … casts revealing light on a significant period in the development of opera.’ Opera

Book Description

Newark studies the development of a key device in French fiction of the nineteenth century: the soirée à l’Opéra.

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