Once–Told Tales: An Essay in Literary Aesthetics

Once–Told Tales: An Essay in Literary Aesthetics book cover

Once–Told Tales: An Essay in Literary Aesthetics

Author(s): Peter Kivy (Author)

  • Publisher: John Wiley & Sons
  • Publication Date: 18 April 2011
  • Language: English
  • Print length: 216 pages
  • ISBN-10: 0470657677
  • ISBN-13: 9780470657676

Book Description

Drawing comparisons with other art forms, this book examines the role of aesthetic features in silent reading, such as narrative structure, and the core experience of reading a novel as a story rather than a scholarly exercise.

  • Focuses on the experience of the art form known as the novel
  • Uses the more common perspective of a reader who reads to be told a story, rather than for scholarly or critical analysis
  • Draws comparisons with experience of the other arts, music in particular
  • Explores the different effects of a range of narrative approaches

Editorial Reviews

Review

“Kivy is to be warmly commended for the originality and insight of his perspective on literature, and for the lively and engaging manner in which that perspective is developed. Philosophers interested in the complexity and significance of our reading experience will welcome this valuable contribution to our understanding of such matters.” (Notre Dame Philosophical Reviews, 14 February 2012)

“Summing Up: Recommended. Graduate students and above.” (Choice, 1 December 2011)

From the Back Cover

Human beings are captivated by stories. In the modern world we consume fiction as literature, at a huge rate&;but what is at the heart of the experience of the novel, of silent reading?

Philosophers of art have traditionally focused on a reading experience in which novels are read, re-read, savored, and studied in depth. In this book, Peter Kivy looks at the more common experience of a reader who reads a novel just once, or who, if he does read it again, does so for the same reason that he read it the first time: to be told a story. This is not the reading experience of the scholar or critic but that of the average reader, and it represents an engagement with the age-old experience of story-telling that is bound up with the very beginnings of humanity.

Drawing comparisons with other art forms, this book examines the role of aesthetic features, such as narrative structure, in silent reading, and pursues the experiential core of what it is to read a novel: a tale once told.

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