10 for 10 Sheet Music All-Time Pop Favorites: Piano Solos

10 for 10 Sheet Music All-Time Pop Favorites: Piano Solos book cover

10 for 10 Sheet Music All-Time Pop Favorites: Piano Solos

Author(s): Joseph Horowitz (Author)

  • Publisher: W. W. Norton & Company
  • Publication Date: July 29, 2013
  • Edition: Illustrated
  • Language: English
  • Print length: 304 pages
  • ISBN-10: 0393240134
  • ISBN-13: 9780393240139

Book Description

A revelatory history of the operatic masterpiece that both made and destroyed Rouben Mamoulian, its director and unsung hero.

“Bring my goat!” Porgy exclaims in the final scene of Gershwin’s opera Porgy and Bess. Bess, whom he loves, has left for New York City, and he’s determined to find her. When his request is met with astonishment―New York is a great distance from South Carolina’s Catfish Row―Porgy remains undaunted. He mounts his goat-cart and leads the community in an ecstatic finale, “Oh Lawd, I’m on my way.”

Stephen Sondheim has called “Bring my goat!” “one of the most moving moments in musical theater history.” For years it was assumed that DuBose Heyward―the author of the seminal novella and subsequent play, Porgy, and later the librettist for the opera Porgy and Bess―penned this historic line. In fact, both it and “Oh Lawd, I’m on my way” were added to the play eight years earlier by that production’s unheralded architect: Rouben Mamoulian. Porgy and Bess as we know it would not exist without the contributions of this master director.

Culling new information from the recently opened Mamoulian Archives at the Library of Congress, award-winning author Joseph Horowitz shows that, more than anyone else, Mamoulian took Heyward’s vignette of a regional African-American subculture and transformed it into an epic theater work, a universal parable of suffering and redemption. Part biography, part revelatory history, “On My Way” re-creates Mamoulian’s visionary style on stage and screen, his collaboration with George Gershwin, and the genesis of the opera that changed the face of American musical life.

10 illustrations

Editorial Reviews

From Booklist

*Starred Review* The tremendously uplifting finale of Porgy and Bess—the crippled hero turns his goat-cart toward New York to find his Bess—mirrors neither the novella nor the published play. Rather, Rouben Mamoulian, director of Porgy’s original production, added it to accommodate his own musical and balletic styling of the piece. Since he also directed the premier of Gershwin’s opera 10 years later, his ending stayed, along with the rest of his conception. It’s fitting, then, that Mamoulian gets the limelight in Horowitz’s account of the Great American Opera. At 28, Mamoulian came to Porgy from a few years of rapidly mounting success as a director who, against the rising tide of Stanislavskian naturalism, pursued a stylized merging of movement, speech, design, and sound to achieve Wagner’s goal of the Gesamtkunstwerk, or total work of theatrical art, better than Wagner had. Furthermore, Mamoulian wasn’t afraid of entertaining. But his kind of show was expensive, and besides the two incarnations of Porgy, he realized his dream-show only once more, in the 1932 film Love Me Tonight, not infrequently called the best movie musical ever made. The meat of this book lies in Horowitz’s analyses of Mamoulian’s three masterpieces, which may make theater and movie mavens break out in grateful goosebumps. Musical-theater book of the year? Mmmmm—could be! –Ray Olson

Review

‘On My Way restores Rouben Mamoulian to the pantheon of essential figures in the development of American theater and cinema, which is where he unquestionably belongs. –Larry Starr, author of George Gershwin”

A fascinating and brilliantly written story of Rouben Mamoulian s contributions to Porgy and Bess. –Speight Jenkins, general director, Seattle Opera”

A resurrection story that offers a significant contribution to the history of American popular theater. “

Blending his strengths as a writer, scholar, critic, storyteller, and fan, Joseph Horowitz explores the talents of Rouben Mamoulian, who helped to make Porgy and Bess America s premier opera. –Richard Crawford, author of America’s Musical Life: A History”

Horowitz gives his readers much insight thorough and satisfying. –Vinton Rafe McCabe”

Horowitz is uncommonly perceptive. –Jonathan Yardley”

Horowitz s elegant sketch offers an illuminating glimpse into a corner of American music history. “

Joseph Horowitz has written an eye-opening book that completes our understanding of America s greatest opera, Porgy and Bess. –John Mauceri, Tony Award-winning conductor, producer, and arranger”

Remarkable vitally important Mr. Horowitz’s research is thorough and illuminating. –Ted Chapin”

Remarkable A fascinating chronicle of the birth of America’s great folk opera. –Stevin Suskin”

The meat of this book lies in Horowitz s analyses of Mamoulian s three masterpieces, which may make theater and movie mavens break out in grateful goosebumps. Musical-theater book of the year? Mmmmm could be! “

Remarkable… A fascinating chronicle of the birth of America’s great folk opera. –Stevin Suskin

Horowitz gives his readers much insight… thorough and satisfying. –Vinton Rafe McCabe

Remarkable … vitally important… Mr. Horowitz’s research is thorough and illuminating. –Ted Chapin

Horowitz’s elegant sketch offers an illuminating glimpse into a corner of American music history.

The meat of this book lies in Horowitz’s analyses of Mamoulian’s three masterpieces, which may make theater and movie mavens break out in grateful goosebumps. Musical-theater book of the year? Mmmmm–could be!

‘On My Way’ restores Rouben Mamoulian to the pantheon of essential figures in the development of American theater and cinema, which is where he unquestionably belongs. –Larry Starr, author of George Gershwin

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