The Mozart-Da Ponte Operas: The Cultural and Musical Background to "Le Nozze Di Figaro", "Don Giovanni" and "Cosi Fan Tutte" reprint Edition

The Mozart-Da Ponte Operas: The Cultural and Musical Background to "Le Nozze Di Figaro", "Don Giovanni" and "Cosi Fan Tutte" reprint Edition book cover

The Mozart-Da Ponte Operas: The Cultural and Musical Background to "Le Nozze Di Figaro", "Don Giovanni" and "Cosi Fan Tutte" reprint Edition

Author(s): Andrew Steptoe (Author)

  • Publisher: Clarendon Press
  • Publication Date: 8 Nov. 1990
  • Edition: reprint
  • Language: English
  • Print length: 300 pages
  • ISBN-10: 9780198162216
  • ISBN-13: 9780198162216

Book Description

Mozart's collaborations with the librettist Lorenzo Da Ponte led to the composition of three of the great masterpieces of opera. This book, designed to guide the reader to a deeper understanding and appreciation of these enigmatic works, charts the musical, cultural, and social context in which they were written--the tastes and expectations of the contemporary opera audience, Mozart's intentions and aspirations in a period of rapid intellectual and political change, Da Ponte's views of opera, and the practical logistics of opera production at the time. Together, these strands provide illuminating insights into Mozart's creative process and the functions of eighteenth-century opera.

Editorial Reviews

Review

"The most illuminating exploration of the territory to appear in English since Edward Dent's historic study of 1913."--Observer

"Steptoe's clarification of the enigmatic interplay and the consequent cross-fertilization between composer and librettist is indeed a major advance in our knowledge and appreciation of Mozart's remarkable achievement."--Notes

"Steptoe has drawn a clear picture of Mozart's surroundings, both personal and musical, before and during the composition of his three most popular operas. He enlivens his discourse by drawing on contemporary accounts and on later studies. His knowledge of 18th-century Viennese opera allows him to make comparisons that clarify Mozart's contribution....Strongly recommended for both undergraduate and graduate students."--Choice

"Steptoe's clarification of the enigmatic interplay and the consequent cross-fertilization between composer and librettist is indeed a major advance in our knowledge and appreciation of Mozart's remarkable achievement."--Notes

"His discussion of Mozart and Enlightenment Vienna represents a particularly needed contribution to the field."--Opera Quarterly

Review

"The most illuminating exploration of the territory to appear in English since Edward Dent's historic study of 1913."--Observer

"Steptoe's clarification of the enigmatic interplay and the consequent cross-fertilization between composer and librettist is indeed a major advance in our knowledge and appreciation of Mozart's remarkable achievement."--Notes

"Steptoe has drawn a clear picture of Mozart's surroundings, both personal and musical, before and during the composition of his three most popular operas. He enlivens his discourse by drawing on contemporary accounts and on later studies. His knowledge of 18th-century Viennese opera allows him to make comparisons that clarify Mozart's contribution....Strongly recommended for both undergraduate and graduate students."--Choice

"Steptoe's clarification of the enigmatic interplay and the consequent cross-fertilization between composer and librettist is indeed a major advance in our knowledge and appreciation of Mozart's remarkable achievement."--Notes

"His discussion of Mozart and Enlightenment Vienna represents a particularly needed contribution to the field."--Opera Quarterly

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