Milton's Complex Words: Essays on the Conceptual Structure of Paradise Lost

Milton's Complex Words: Essays on the Conceptual Structure of Paradise Lost book cover

Milton's Complex Words: Essays on the Conceptual Structure of Paradise Lost

Author(s): Prof Paul Hammond (Author)

  • Publisher: OUP Oxford
  • Publication Date: 28 Sept. 2023
  • Language: English
  • Print length: 498 pages
  • ISBN-10: 0198891911
  • ISBN-13: 9780198891918

Book Description

Every major poet or philosopher develops their own distinctive semantic field around those terms which matter most to them, or which contribute most profoundly to the imagined world of a particular work. This book explores the specific meanings which Milton develops around key words in Paradise Lost.

Some of these are theological or philosophical terms (e.g. ‘evil’, ‘grace’, ‘reason’); others are words which shape the imagined world of the poem (e.g. ‘dark’, ‘fall’, ‘within’); yet others are small words or even prefixes which subtly move the argument in new directions (e.g. ‘if’, ‘not’, ‘re-‘). Milton seems to expect his readers to be alert to the special semantic field which he creates around such words, often by infusing them with biblical and literary connotations, and activating their etymological roots; alert also to the patterns created by the repetitions of such words, and particularly to their diverse use (and often their blatant misuse) by different characters. To understand the migrations and malleability of key words is part of the education of Milton’s reader.

Editorial Reviews

Review

Milton’s Complex Words prompts us to ask how detailed excavation of the linguistic riches of Paradise Lost can change our understanding of Milton’s view of language … Hammond leaves us to extrapolate our own conclusions from his elucidation of Paradise Lost as a beautifully intricate web of meaning suspended between multiple and varying usages of repeated terms, which bring with them into each individual occurrence the echoes of their other lives. ― Hannah Crawforth, Milton Quarterly

For Miltonists, it offers a stimulating journey back through Milton’s poem, with enough detail and elegant argument to be of interest. For students, it will be a good guide for understanding certain terms in Milton’s oeuvre, with helpful suggestions for further study provided in the footnotes to each short chapter … It may prove a welcome guide to those just entering, or even re-entering, the labyrinth of Paradise Lost. ― Esther van Raamsdonk, Modern Language Review

Milton’s Complex Words brilliantly demonstrates Hammond’s skills as a close reader, supremely attentive to how the varied definitions of his key words … contribute to the meanings of Paradise Lost. ― Peter C. Herman, Modern Philology

About the Author

Paul Hammond was educated at Peter Symonds’ School, Winchester, and Trinity College, Cambridge, where he was a Prize Fellow in English. He is currently Professor of Seventeenth-Century English Literature at the University of Leeds. He was elected a Fellow of the British Academy in 2002. His previous publications include Milton and the People (Oxford: Oxford University Press, 2014) and Racine’s Roman Tragedies: Essays on ‘Britannicus’ and ‘Berenice’ (Leiden: Brill, 2022) co-edited with Nicholas Hammond.

View on Amazon

{“@context”:”https://schema.org”,”@type”:”Book”,”name”:”Milton’s Complex Words: Essays on the Conceptual Structure of Paradise Lost”,”image”:”https://m.media-amazon.com/images/I/41MEA696yaL._SY445_SX342_ML2_.jpg”,”author”:{“@type”:”Person”,”name”:”Prof Paul Hammond (Author)”},”publisher”:{“@type”:”Organization”,”name”:”OUP Oxford”},”datePublished”:”28 Sept. 2023″,”isbn”:”9780198891918″,”numberOfPages”:498,”inLanguage”:”English”,”description”:”Every major poet or philosopher develops their own distinctive semantic field around those terms which matter most to them, or which contribute most profoundly to the imagined world of a particular work. This book explores the specific meanings which Milton develops around key words in Paradise Lost.Some of these are theological or philosophical terms (e.g. ‘evil’, ‘grace’, ‘reason’); others are words which shape the imagined world of the poem (e.g. ‘dark’, ‘fall’, ‘within’); yet others are small words or even prefixes which subtly move the argument in new directions (e.g. ‘if’, ‘not’, ‘re-‘). Milton seems to expect his readers to be alert to the special semantic field which he creates around such words, often by infusing them with biblical and literary connotations, and activating their etymological roots; alert also to the patterns created by the repetitions of such words, and particularly to their diverse use (and often their blatant misuse) by different characters. To understand the migrations and malleability of key words is part of the education of Milton’s reader.”,”url”:”https://www.amazon.co.uk/dp/0198891911/”,”bookFormat”:”http://schema.org/EBook”,”additionalType”:”http://schema.org/PDF”,”fileSize”:”11 MB”,”accessibilityFeature”:[“login required”,”member access only”],”accessibilitySummary”:”PDF version available to authenticated members only. File size: 11 MB.”}

未经允许不得转载:Wow! eBook » Milton's Complex Words: Essays on the Conceptual Structure of Paradise Lost