Masters of the Grotesque: The Cinema of Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch
Author(s): Schuy R. Weishaar (Author)
Publisher: McFarland & Company
Publication Date: October 26, 2012
Language: English
Print length: 219 pages
ISBN-10: 0786471867
ISBN-13: 9780786471867
Book Description
The concepts and theories surrounding the aesthetic category of the grotesque are explored in this book by pursuing their employment in the films of American auteurs Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch. The author argues that interpreting these directors’ films through the lens of the grotesque allows us1to situate both the auteurs and the films within a long history of the grotesque in art and aesthetics. This cultural tradition effectively subsumes the contribution of any artist or1genre that intersects it but also affords the artist or genre–the auteur and the genre filmmaker–a pantheon and an abundance of images, themes, and motifs through which he1or she can subversively represent the world and our place in it.
Editorial Reviews
Review
“I must begin by confessing that Masters of the Grotesque is a book I wish I had written. It is, however, a better book than I ever could have done…more theoretically sophisticated, more incisive, more far-reaching. Weishaar is a gifted writer, able to wrestle big ideas down to earth, drag them out of that very-20th-century Plato’s cave we know as a movie theatre and into the light, putting them to critical use and then plunging back into the cave once again, more than ready to persuade the still-imprisoned of his new understanding.”―David Lavery, Middle Tennessee State University.
From the Inside Flap
The concepts and theories surrounding the aesthetic category of the grotesque are explored in this book by pursuing their employment in the films of American auteurs Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch. The author argues that interpreting these directors’ films through the lens of the grotesque allows us1to situate both the auteurs and the films within a long history of the grotesque in art and aesthetics. This cultural tradition effectively subsumes the contribution of any artist or1genre that intersects it but also affords the artist or genre–the auteur and the genre filmmaker–a pantheon and an abundance of images, themes, and motifs through which he1or she can subversively represent the world and our place in it.
About the Author
Schuy R. Weishaar teaches English and philosophy at Richland Community College in Decatur, Illinois; he also teaches writing and literature at Trevecca Nazarene University in Nashville, Tennessee. He lives in Illinois.
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