Martin Amis

Martin Amis book cover

Martin Amis

Author(s): Brian Finney (Author)

  • Publisher: Routledge
  • Publication Date: July 3, 2008
  • Language: English
  • Print length: 190 pages
  • ISBN-10: 0415402921
  • ISBN-13: 9780415402927

Book Description

This book offers a comprehensive introduction to Martin Amis’s life, work and the wide range of critical responses to his work. Perhaps the best-known British novelist of his generation, he had to compete with his father, Kingsley Amis (1922-95) who was himself a leading novelist of his generation. In reacting to his father he adopted a self-conscious, ludic mode of fiction and cultivated a unique and much imitated style. 
The book is divided into three parts. Part 1 situates his life in the context of the literary climate and social, political and cultural gestalt of his lifetime. It constitutes the most extensive biographical narrative to appear by the date of publication. Part 2 provides a critical introduction to the eleven novels, two collections of short stories, two autobiographical works, and three collections of essays, reviews, profiles, and articles that he had published so far. Part 3 offers a more advanced examination of the major critical debates about the nature and value of his work. They range from his turn to American fiction for models, his portrayal of women (including charges of misogyny), and his unusual views on linguistic language (“Style is morality,” he wrote).

Editorial Reviews

Review

“Designed as a analytical tool fbr advanced students of literature, this guide provides plenty of cross-references between the text and criticism to facilitate discussion in a classroom environment.” Reference & Research Book News

From the Author

When I was invited to contribute to the extensive series, Routledge Guides to Literature, I had little hesitation in choosing Martin Amis as a subject. I thought his novel Money (1986) a quintessential work of the eighties with its chapters alternating between Thatcher’s London and Reagan’s New York. I was also drawn to the status he held as leader of his generation of British novelists. Not only was he a leading fiction writer, but he was a prominent critic with a powerful and articulate voice. Once again I was given the opportunity to show how far critical theory can be usefully employed in literary criticism at a time when theory itself was under attack. I guess I was also drawn to an author who, like me, had immigrated to America part-way through his life and acquired a dual perspective.

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