Malory`s Contemporary Audience – The Social Reading of Romance in Late Medieval England

Malory`s Contemporary Audience – The Social Reading of Romance in Late Medieval England book cover

Malory`s Contemporary Audience – The Social Reading of Romance in Late Medieval England

Author(s): Thomas H. Crofts (Author)

  • Publisher: D. S. Brewer
  • Publication Date: 17 July 2006
  • Language: English
  • Print length: 196 pages
  • ISBN-10: 1843840855
  • ISBN-13: 9781843840855

Book Description

New readings of the Morte Darthur place both book and author within the historical and cultural context of fifteenth-century England. This book seeks to place Malory’s Morte Darthur more firmly in its cultural and historical context. Its composition, in the mid to late fifteenth century, took place at a time of great upheaval for England, a period beginning with the loss of Bordeaux (and the Hundred Years War) and ending with the rise of Richard III. During this time the Morte was translated from numerous French sources, copied by scribes, and, finally, in July 1485, printed by William Caxton. The author argues that in this unique production history are reflected the ideological crises which loomed so massively over England’s ruling class in the fifteenth century; and that the book is in fact inseparable from these crises. THOMAS H. CROFTS is Assistant Professor of English at East Tennessee State University

Editorial Reviews

Review

Provocative and well written–though markedly eclectic–this new book will challenge the reader to reconsider Caxton’s edition, Malory’s narrative, and cultural studies more generally.
YEAR’S WORK IN ENGLISH STUDIES, 2008

Repays detailed reading for the many observations which similarly cause the reader to reassess previously held opinions. — THE RICARDIAN, XVIII, 2008

Will challenge the reader to reconsider Caxton’s edition, Malory’s narrative, and cultural studies more generally. — MEDIUM AEVUM, LXXVI (2007)

Review

Provocative and well written–though markedly eclectic–this new book will challenge the reader to reconsider Caxton’s edition, Malory’s narrative, and cultural studies more generally.

About the Author

THOMAS H CROFTS is Professor of English at East Tennessee State University.

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