Inside Chinese Theater: Community and Artistry in Nineteenth-Century California and Beyond

Inside Chinese Theater: Community and Artistry in Nineteenth-Century California and Beyond book cover

Inside Chinese Theater: Community and Artistry in Nineteenth-Century California and Beyond

Author(s): Nancy Yunhwa Rao (Author)

  • Publisher: University of Illinois Press
  • Publication Date: April 8, 2025
  • Edition: First Edition
  • Language: English
  • Print length: 392 pages
  • ISBN-10: 0252088638
  • ISBN-13: 9780252088636

Book Description

In the mid-nineteenth century, Chinese opera theater arrived as one of the significant performing art forms in California. Nancy Yunhwa Rao excavates and contextualizes the important history of Chinese Opera Theater, bringing to light the ways it became woven into the financial, political, social, and family life in California and beyond.

Chinese opera theater found brick-and-mortar homes with San Francisco theaters like the Hing Chuen Yuen and the Donn Qui Yuen. But troupes had already followed Chinese immigrants to mining and railroad towns, and across the American West. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal diaries, newspapers and artifacts to place Chinese theater within the everyday lives of San Francisco. She also examines the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves.

Illustrated with seventy photographs, Inside Chinese Theater is an expert and eloquent journey into the early decades of Chinese opera in America.

Editorial Reviews

Review

“Undergirded by extensive archival research and perceptive analysis, Rao’s book weaves together a myriad of diverse examples that include music-making in Chinese schools and the occasional appearances of Chinese actors in American burlesques and plays, in addition to the more sustained enactments. Each of these events makes clear how important the performing arts were to the cultural life of Chinese communities.
Though replete with sobering reminders of the continuing legacy of xenophobia and racism,
Inside Chinese Theater also allows a measure of hope that readers might more fully understand how Chinese opera theatre’s complex and imaginative enactments, artful performance, and communal care testify to ’embodied enjoyment’ and the fullness of the ‘mental and emotional lives’ of Chinese people in nineteenth-century America.” — Josephine Lee, Nineteenth Century Theatre and Film

About the Author

Nancy Yunhwa Rao is a professor of music at Rutgers University and the author of Chinatown Opera Theater in North America.

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