I See You: The Shifting Paradigms of James Cameron's Avatar (Critical Explorations in Science Fiction and Fantasy): 34
Author(s): Ellen Grabiner (Author), Donald E. Palumbo (Editor), C.W. Sullivan III (Editor)
Publisher: McFarland & Co
Publication Date: 15 July 2012
Edition: Illustrated
Language: English
Print length: 256 pages
ISBN-10: 0786464925
ISBN-13: 9780786464920
Book Description
In the blockbuster film Avatar, science fiction and the technological prowess of director James Cameron meet in a heady concoction that, while visually ravishing, could easily be dismissed as “eye candy.” While critics most frequently acclaimed its breakthrough 3-D technology, close scrutiny of the film raises provocative questions about the relationship between mind and body, appearance and reality. It brings into focus the relationships of humans to their technology, their planet, and each other and highlights the nature and potential of film itself. This work explores the theoretical and philosophical issues brought to bear in Avatar, exploring the spaces between human and machine; technology and nature; chick flick and action-adventure; and old-fashioned storytelling and cutting-edge technology. Central to the book’s analysis is an examination of the extent to which Avatar melds the seer and the seen, illuminating an alternative visual paradigm.
“Grabiner, examines theoretical and philosophical issues involving James Cameron’s Avatar, discussing how the film combines the seer and the seen in an alternative visual paradigm”―Reference & Research Book News; “I See You offers a cogent examination of the somatic experience of seeing films in 3D. Since this technology grows in popularity, Grabiner’s book heralds a major advance in film theory.”―Brian Winkenweder, associate professor and chair, Department of Art and Visual Culture, Linfield College
From the Inside Flap
In the blockbuster film Avatar, science fiction and the technological prowess of director James Cameron meet in a heady concoction that, while visually ravishing, could easily be dismissed as “eye candy.” While critics most frequently acclaimed its breakthrough 3-D technology, close scrutiny of the film raises provocative questions about the relationship between mind and body, appearance and reality. It brings into focus the relationships of humans to their technology, their planet, and each other and highlights the nature and potential of film itself. This work explores the theoretical and philosophical issues brought to bear in Avatar, exploring the spaces between human and machine; technology and nature; chick flick and action-adventure; and old-fashioned storytelling and cutting-edge technology. Central to the book’s analysis is an examination of the extent to which Avatar melds the seer and the seen, illuminating an alternative visual paradigm.
About the Author
Ellen Grabiner, Ph.D., is a visual artist and writer who teaches visual cultural studies and cinema and media studies in the communications department at Simmons College in Boston.
Donald E. Palumbo is a professor of English at East Carolina University. He lives in Greenville, North Carolina.
C.W. Sullivan III is Distinguished Professor of arts and sciences at East Carolina University and a full member of the Welsh Academy. He is the author of numerous books and the on-line journal Celtic Cultural Studies.
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