Gothic Music: The Sounds of the Uncanny

Gothic Music: The Sounds of the Uncanny book cover

Gothic Music: The Sounds of the Uncanny

Author(s): Isabella van Elferen (Author)

  • Publisher: University of Wales Press
  • Publication Date: 15 July 2012
  • Language: English
  • Print length: 240 pages
  • ISBN-10: 0708325122
  • ISBN-13: 9780708325124

Book Description

Gothic Music: The Sounds of the Uncanny traces sonic Gothic from the echoing footsteps in Gothic novels to the dark soundscapes of Goth club nights. This broad perspective importantly widens the scope of Gothic music from Goth subculture to literature, film, television and video games. This book also provides the musical and theoretical definition of Gothic music that lacks in current scholarship. Whether voicing the spectral beings of early cinema, announcing virtual terrors in video games, or intensifying the nocturnal rituals of Goth, Gothic music represents the sounds of the uncanny.

Editorial Reviews

Review

“Reading Isabella van Elferen’s Gothic Music: The Sounds of the Uncanny is like turning up the volume: the full richness and complexity of Gothic music suddenly becomes audible. This is a genuinely groundbreaking book, instantly taking possession of and defining the field. Gothic will never sound quite the same again.”–Catherine Spooner, Lancaster University

“This book is the most original and sophisticated analysis of the interconnection between music and the Gothic yet produced. Van Elferen’s expansive understanding of sonic Gothicism allows her to break new ground through considerations of Gothic music in film, TV, and video games. She takes the idea of the Gothic in entirely new directions in this innovative, intelligent, and enjoyable study.”
–Jeffrey Weinstock, Central Michigan University

“Isabella van Elferen’s book is original, witty, and provocative. Her approach is anything but reductive, as her epigraph–“Il y a plenty de hors-texte”–suggests. She considers music in a variety of media and her analyses are engaging and refreshingly jargon-free. This is a work that enters boldly into critical debate and is not afraid to speculate on broader philosophical issues. Van Elferen brings insights from the discipline of musicology into the field of gothic studies and, in doing so, very much enriches it.”–Emma McEvoy, Westminster University

About the Author

Dr Isabella van Elferen is Assistant professor of Music and New Media, Dept. Media and Culture Studies, Utrecht University

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