European Music, 1520-1640

European Music, 1520-1640 book cover

European Music, 1520-1640

Author(s): James Haar

  • Publisher: Boydell Press
  • Publication Date: 15 Jun. 2006
  • Edition: First Edition
  • Language: English
  • Print length: 586 pages
  • ISBN-10: 1843832003
  • ISBN-13: 9781843832003

Book Description

The sixteenth and early seventeenth centuries – the so-called Golden Age of Polyphony – represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schütz among others.
The chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music – sacred and secular, vocal and instrumental – during this period. The volume offers chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain); genre studies (Mass, motet, madrigal, chanson, instrumental music, opera); and is completed with essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, concepts of “Renaissance” and “Baroque”). It thus provides a complete overview of the music and its context.

Contributors: GARY TOMLINSON, JAMES HAAR, TIM CARTER, GIULIO ONGARO, NOEL O’REGAN, ALLAN ATLAS, ANTHONY CUMMINGS, RICHARD FREEDMAN, JEANICE BROOKS, DAVID TUNLEY, KATE VAN ORDEN, KRISTINE FORNEY, IAIN FENLON, KAROL BERGER, PETER BERGQUIST, DAVID CROOK, ROBIN LEAVER, CRAIG MONSON, TODD BORGERDING, LOUISE K. STEIN, GIUSEPPE GERBINO, ROGER BRAY, JONATHAN WAINWRIGHT, VICTOR COELHO, KEITH POLK

Editorial Reviews

Review

A fine achievement. THE CONSORT

A fine book. […] This civilised volume is highly recommended [and] excellent in content. EARLY MUSIC REVIEW
This is an extremely useful addition to music historiography that will both aid students and provide many insights to the more general reader who feels in need of an over-arching survey of the period. GOLDBERG [Brian Robins]
A lively and scholarly account of the multiple complexities and paradoxes that characterise this period…compelling reading with hitherto neglected areas at last gaining accessible recognition. EARLY MUSIC TODAY

From the Publisher

In a recent review, GOLDBERG EARLY MUSIC MAGAZINE concluded
that “this is an extremely useful addition to music historiography that
will both aid students and provide many insights to the more general reader
who feels in need of an over-arching survey of the period.”

About the Author

JEANICE BROOKS is Professor of Music at the University of Southampton.

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