
Eurasian – Mixed Identities in the United States, China, and Hong Kong, 1842–1943
Author(s): Emma Jinhua Teng (Author)
- Publisher: University of California Press
- Publication Date: 6 Aug. 2013
- Language: English
- Print length: 342 pages
- ISBN-10: 0520276264
- ISBN-13: 9780520276260
Book Description
Editorial Reviews
From the Inside Flap
Beautifully written and thoughtfully crafted, Teng s Eurasian is a pleasure to read. The author has written a nuanced, multisited account of mixed families and Eurasian identities that will be important reading for students in U.S. and Chinese history and in Asian, Asian American, and Ethnic Studies. The author tells these wonderful life stories and adeptly uses them to track larger historical processes and phenomena. Kornel Chang, author ofPacific Connections: The Making of the U.S.-Canadian Borderlands
“By examining Eurasian identities from Chinese and American perspectives, Emma Teng offers a truly transnational and multicultural intellectual project that few works which appear to be such can actually claim, for she uses with facility and depth materials in English and Chinese, and goes beyond the obvious duality of American/British on the one hand, and Chinese on the other, to introduce a third element, that of the Asian American, examining not just the distinct viewpoints separately, but, more interestingly, the intersections between and among them.” Evelyn Hu-DeHart, editor of
Across the Pacific: Asian Americans and Globalization“Emma Teng s rich and compelling narrative captures within one elegant volume a profoundly complex story about diaspora, citizenship, empire, nation, taxonomy, identity, capital, race, labor, class, gender, intimacy, and the body, all the while avoiding the twin pitfalls of transnational abstraction and dislocated particulars that threaten any work of such scope and ambition. It is an analysis of the highest quality, delivering an argument that is empathetic, but which not for a moment relaxes either the critical tension between the author and her subject, nor attempts to resolve in any simplistic fashion the tensions and anxieties of her characters or the time period in question. In this work, Teng is at once master instrument maker, and master musician.” Thomas S. Mullaney, author of
Coming to Terms with the Nation: Ethnic Classification in Modern China
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