Ethnomusicology of the Flathead Indians

Ethnomusicology of the Flathead Indians book cover

Ethnomusicology of the Flathead Indians

Author(s): Alan Merriam

  • Publisher: Routledge
  • Publication Date: 15 Sept. 2011
  • Edition: Illustrated
  • Language: English
  • Print length: 436 pages
  • ISBN-10: 1412842441
  • ISBN-13: 9781412842440

Book Description

All people, in no matter what culture, must be able to place their music firmly in the context of the totality of their beliefs, experiences, and activities, for without such ties, music cannot exist. This means that there must be a body of theory connected with any music system - not necessarily a theory of the structure of music sound, although that may be present as well, but rather a theory of what music is, what it does, and how it is coordinated with the total environment, both natural and cultural, in which human beings move.The Flathead Indians of Western Montana (just over 26,000 in number as of the 2000 census) inhabit a reservation consisting of 632,516 acres of land in the Jocko and Flathead Valleys and the Camas Prairie country, which lie roughly between Evaro and Kalispell, Montana. The reservation is bounded on the east by the Mission Range, on the west by the Cabinet National Forest, on the south by the Lolo National Forest, and on the north by an arbitrary line, approximately bisecting Flathead Lake about twenty-four miles south of Kalispell. The area is one of the richest agricultural regions in Montana, and fish and game are abundant. The Flathead are engaged in stocking, timbering, and various agricultural enterprises.For the Flathead, the most important single fact about music and its relationship to the total world is its origin in the supernatural sphere. All true and proper songs, particularly in the past, owe their origin to a variety of contacts experienced by humans with beings which, though a part of this world, are superhuman and the source of both individual and tribal powers and skills. Thus a sharp distinction is drawn by the Flathead between what they call "make-up" and all other songs. Merriam's pioneering work in the relationship of ethnography and musicology remains a primary source in this field in anthropology.

Editorial Reviews

Review

-The study of American Indian Music has historically been a significant part of American anthropology. The present work is an outstanding addition to the rather considerable bibliography on this subject... It is hoped that this book will receive the serious consideration that it deserves; it both convincingly illustrates the value of examining music for insights into human behavior and raises many issues germaine to problems of understanding the arts in relation to other institutions.-

--Robert A. Black, American Anthropologist

-This is one of the most thorough and detailed studies available of a single -musical culture-; as such it should occupy a place of basic importance in any general collection of books on music... Merriam's book is a significant contribution, not only to the literature on American Indian music, but to the study of music as an aspect of human experience and a part of social life.-

--Stephen Blum, Notes

-This study immediately takes its places as one of the major monographs on the music of a single American Indian tribe. It is the only study of music of this tribe; and we quickly see that the music, like the rest of the culture, stands squarely in the Plains tradition. Merriam's coverage is thoroughly in accord with the anthropological definition of ethnomusicology, -the study of music in its cultural context.- Flathead ideas about music, its sources and purposes, the instruments, and the categories of song are all treated in detail.-

--David P. McAllester, The Journal of American Folklore

-Merriam has done major field work in Africa... and among the Flatheads... This book... is an impressive study of music in the context of culture or social behaviour.-

--Barbara Krader, Man

-[Alan Merriam's] new work studies traditional music in the culture of the Flathead Indians of Western Montana...The assembly of data in both parts of the work, dealing respectively with context andmusical features, is clearly expert.-

--Peter Crossley-Holland, Folklore

-Merriam's work on the Flathead is sound.-

--Norma McLeod, Anuario

-Merriam superbly organizes his ethnographic material... Merriam's book constitutes a valuable contribution to our knowledge of Flathead music and its cultural setting.-

--Mieczyslaw Kolinski, Ethnomusicology

"The study of American Indian Music has historically been a significant part of American anthropology. The present work is an outstanding addition to the rather considerable bibliography on this subject... It is hoped that this book will receive the serious consideration that it deserves; it both convincingly illustrates the value of examining music for insights into human behavior and raises many issues germaine to problems of understanding the arts in relation to other institutions."

--Robert A. Black, American Anthropologist

"This is one of the most thorough and detailed studies available of a single "musical culture"; as such it should occupy a place of basic importance in any general collection of books on music... Merriam's book is a significant contribution, not only to the literature on American Indian music, but to the study of music as an aspect of human experience and a part of social life."

--Stephen Blum, Notes

"This study immediately takes its places as one of the major monographs on the music of a single American Indian tribe. It is the only study of music of this tribe; and we quickly see that the music, like the rest of the culture, stands squarely in the Plains tradition. Merriam's coverage is thoroughly in accord with the anthropological definition of ethnomusicology, "the study of music in its cultural context." Flathead ideas about music, its sources and purposes, the instruments, and the categories of song are all treated in detail."

--David P. McAllester, The Journal of American Folklore

"Merriam has done major field work in Africa... and among the Flatheads... This book... is an impressive study of music in the context of culture or social behaviour."

--Barbara Krader, Man

"[Alan Merriam's] new work studies traditional music in the culture of the Flathead Indians of Western Montana...The assembly of data in both parts of the work, dealing respectively with context andmusical features, is clearly expert."

--Peter Crossley-Holland, Folklore

"Merriam's work on the Flathead is sound."

--Norma McLeod, Anuario

"Merriam superbly organizes his ethnographic material... Merriam's book constitutes a valuable contribution to our knowledge of Flathead music and its cultural setting."

--Mieczyslaw Kolinski, Ethnomusicology

"The study of American Indian Music has historically been a significant part of American anthropology. The present work is an outstanding addition to the rather considerable bibliography on this subject... It is hoped that this book will receive the serious consideration that it deserves; it both convincingly illustrates the value of examining music for insights into human behavior and raises many issues germaine to problems of understanding the arts in relation to other institutions."

--Robert A. Black, American Anthropologist

"This is one of the most thorough and detailed studies available of a single "musical culture"; as such it should occupy a place of basic importance in any general collection of books on music... Merriam's book is a significant contribution, not only to the literature on American Indian music, but to the study of music as an aspect of human experience and a part of social life."

--Stephen Blum, Notes

"This study immediately takes its places as one of the major monographs on the music of a single American Indian tribe. It is the only study of music of this tribe; and we quickly see that the music, like the rest of the culture, stands squarely in the Plains tradition. Merriam's coverage is thoroughly in accord with the anthropological definition of ethnomusicology, "the study of music in its cultural context." Flathead ideas about music, its sources and purposes, the instruments, and the categories of song are all treated in detail."

--David P. McAllester, The Journal of American Folklore

"Merriam has done major field work in Africa... and among the Flatheads... This book... is an impressive study of music in the context of culture or social behaviour."

--Barbara Krader, Man

"[Alan Merriam's] new work studies traditional music in the culture of the Flathead Indians of Western Montana...The assembly of data in both parts of the work, dealing respectively with context andmusical features, is clearly expert."

--Peter Crossley-Holland, Folklore

"Merriam's work on the Flathead is sound."

--Norma McLeod, Anuario

"Merriam superbly organizes his ethnographic material... Merriam's book constitutes a valuable contribution to our knowledge of Flathead music and its cultural setting."

--Mieczyslaw Kolinski, Ethnomusicology

About the Author

Alan Merriam

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