Review
"The Emotional Power of Music provides detailed summaries of a variety of theories regarding mechanisms of emotional arousal that may emerge through the experience of music, as well as arguments advocating the synthesis of these disparate views. [E]ach section provides a representation of traditional and contemporary theories regarding the relationship between emotions and music. [M]oving from one chapter to the next, the reader is exposed to different perspectives, helping to elucidate the complexities and subtleties that emerge from a careful study of the emotional elements of music. [This book] is an important compendium of studies on the interrelationship between music and emotional experience. Psychologists, sociologists, musicologists, and philosophers will all gain insight and inspiration from this excellent collection of essays on the emotional power of music. This text is an important addition to the study of emotion and music." -James M. Hepburn, sycCRITIQUES
About the Author
Tom Cochrane is a lecturer in philosophy at the University of Sheffield, where he teaches aesthetics, ethics and the philosophy of mind. He received his PhD from the University of Nottingham in 2007. From 2007 to 2010 he was a postdoctoral researcher at the Swiss Center for Affective Sciences, researching emotions and the arts. He then spent two years at the Sonic Arts Research Centre, Queen's University Belfast, working on an individual research project called 'The Mood Organ: Putting theories of musical expression into practice'. His main areas of interest are music, emotion, extended and collective cognition and complexity.
Bernardino Fantini is a full professor of History of Medicine, director of the Institute of the History of Medicine and Health, Faculty of Medicine, University of Geneva, and director of the WHO Collaborating Centre for the Historical Research on Public Health. Since 2009 he has been active in the Music and Emotion focus at the Swiss Center for Affective Sciences, Geneva. After a PhD in biochemistry in Rome, he also got a PhD in History and Philosophy of Life Sciences at the EPHE-Sorbonne, Paris, in 1992. His main research interests are the history of infectious disease and international health, the epistemology of biology and medicine, and the history of relationships between medicine, science and music.
Klaus Scherer, born in 1943, studied economics and social sciences at the University of Cologne and the London School of Economics. Following postgraduate studies in psychology, he obtained a Ph.D. from Harvard University in 1970. After teaching at the University of Pennsylvania, Philadelphia, and the University of Kiel, Germany, he was appointed, in 1973, full professor of social psychology at the University of Giessen, Germany. From 1985 to 2008, Klaus Scherer was a full professor of psychology at the University of Geneva, Switzerland, and director of the Human Assessment Centre (Laboratoire d'Evaluation Psychologique). Since 2004 he has been the Director of the Swiss Center for Affective Sciences at the University of Geneva. Scherer's research activities focus on different aspects of emotion and other affective states (guided by his Component Process Model of emotion), in particular emotional expression and induction of emotion by music.
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