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LIBERACE (1919-1987), PIANIST:
Wladziu Valentino Liberace, who was born in Milwaukee, Wisconsin, emerged from the womb with a caul on his head, traditionally an omen of greatness. His father, Salvatore, was an Italian immigrant with a fiery temper. He played French horn in various bands and, considering himself an ‘artiste’, was reluctant to take other work, which meant the family was often poor. He insisted that all four of his children have music lessons. His mother, Frances, of Polish extraction, protested.
It was soon apparent that ‘Wally’, as he was known, was a prodigy. According to family lore, he was playing pieces by ear at the age of three, and was working professionally before his teens. His idol was Paderewski, the flamboyant pianist and Polish nationalist, whom he met backstage after a concert when he was eight or so. He was a typical ‘Mama’s boy’ who loathed sport but loved cooking and sewing, and he was already a fancy dresser. Picked on by other boys as a sissy, he learned the trick of exaggerating his differences to make people laugh.
To the disgust of his father, he was as happy playing popular tunes and jazz as classical pieces. As a teenager, he played in theatres, saloons, strip clubs and even at stag parties, where he provided the musical accompaniment for pornographic films. In 1939, he hit upon a new gimmick, playing pop songs like ‘Three Little Fishies’ in the manner of various classical composers. He continued to hone his act during the forties, mixing the classics with boogie-woogie, and concentrated on playing intimate venues where he could exercise his considerable charm on the audience. He was now going by the single name Liberace (which he took care to emphasise in publicity materials was pronounced ‘Liber-AH-chee’). A brilliant self-publicist, he acquired a huge, gold-leafed Blüthner grand piano for $25,000, which he billed as ‘the world’s most priceless piano’. It weighed in at 1,700 pounds (771 kg) and he took it wherever he was performing. He also adopted the candelabrum as an essential stage prop.
Liberace moved to Los Angeles, and by 1950, when he played at the White House, he was a major star. His television show debuted on a local L.A. station in 1952, then was syndicated across the country. It mixed sophistication (his tuxedos and candelabra) with folksy humor and family values (his brother George conducted the orchestra, his mother was usually sitting in the front row). The critics gagged, accusing him of schmaltz