
Dorothy Wordsworth and Hartley Coleridge: The Poetics of Relationship 2012th Edition
Author(s): N. Healey (Author)
- Publisher: Palgrave Macmillan
- Publication Date: 5 April 2012
- Edition: 2012th
- Language: English
- Print length: 286 pages
- ISBN-10: 0230277721
- ISBN-13: 9780230277724
Book Description
This book provides a complete reassessment of the writings of Hartley Coleridge and Dorothy Wordsworth presenting them in a new poetics of relationship. Healey investigates how their relationships with William Wordsworth and Samuel Taylor Coleridge affected their lives, literary self-constructions, and reception in order to restore a more accurate understanding of their independent lives and original texts. Arguing that the familial writing context of both Hartley and Dorothy imbued their poetic selfhoods with a strong and pervasive sense of relationship, community, democracy, and sociability, which they exploit in order to establish authorial autonomy in the shadow of their more famous relatives, this comparative study suggests that gender is not the only factor which conditions the writing of relationship, and that identity is more significantly governed by the complex pressures of domestic environment and immediate kinship. This study of the familial self thus significantly supplements feminist work on the self-in-community. The most comprehensive study of Hartley Coleridge’s work and writing context to date, this book restores Hartley’s forgotten achievement and establishes his correct literary standing as a major poet who bridged Romanticism and Victorian literature.
Editorial Reviews
Review
‘In this very fine book, Nicola Healey raises and resolves a number of issues that will be of great interest to students of Hartley Coleridge and Dorothy Wordsworth, and to Romantic scholars more generally. The close readings, which are consistently excellent, take issue with a number of critics, from Derwent Coleridge and Thomas De Quincey through to twentieth- and twenty-first-century commentators. Healey thoroughly understands the various factors that limited these critics’ perceptions at the times they were writing, and she anatomises the wrongness of some literary-critical habits that have gone on for too long. This book builds beautifully on the work of other scholars, and many ideas are handled genially and skilfully. Healey maintains cohesion with the growing multiplicity of the insights throughout the book, providing a vital new perspective on collaboration including all the tensions this entails. Arguably, however, the main achievement of this book is in its sensitivity to Hartley’s and Dorothy’s finest writings.’ – Andrew Keanie, Lecturer in English, University of Ulster, UK
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