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Contemporary New Zealand Cinema: From New Wave to Blockbuster
Author(s): Ian Conrich (Editor), Stuart Murray (Editor), Julian Ross (Series Editor), Lúcia Nagib (Series Editor)
- Publisher: I.B. Tauris
- Publication Date: September 30, 2008
- Language: English
- Print length: 288 pages
- ISBN-10: 1845118375
- ISBN-13: 9781845118372
Book Description
Since New Zealand Cinema burst on to the global stage in the late 1970s, it has maintained a high-profile presence, capturing the imagination and enthusiasm of both national and international audiences, through such films as “Vigil”, “Whale Rider” and “The Lord of the Rings” trilogy. “Contemporary New Zealand Cinema” provides an astute and definitive analysis of this fascinating industry. Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand.It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts – Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability – that have created a cinema of global significance.
Featuring critical accounts of internationally-acclaimed features like “The Piano” and “Once Were Warriors”, as well as the growth of the national infrastructure that made such films possible, “Contemporary New Zealand Cinema” is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films.
Editorial Reviews
About the Author
Stuart Murray is Professor of Contemporary Literatures and Film and Director of Leeds Centre for Medical Humanities at the University of Leeds, UK. He is also the current Chair of the Wellcome Trust’s Medical Humanities Expert Review Group. Stuart is the author of
Disability and the Posthuman: Bodies, Technology and Cultural Futures and Autism as well as co-editor of The Cambridge Companion to Literature and Disability. Lúcia Nagib is Professor of Film and Director of the Centre for Film Aesthetics and Cultures (CFAC) at the University of Reading. Her research has focused, among other subjects, on polycentric approaches to world cinema, new waves and new cinemas, cinematic realism and intermediality. She is the author of World Cinema and the Ethics of Realism (Continuum, 2011), Brazil on Screen: Cinema Novo, New Cinema, Utopia (I.B. Tauris, 2007), The Brazilian Film Revival: Interviews with 90 Filmmakers of the 90s (Editora 34, 2002), Born of the Ashes: The Auteur and the Individual in Oshima’s Films (Edusp, 1995), Around the Japanese Nouvelle Vague (Editora da Unicamp, 1993) and Werner Herzog: Film as Reality (EstaçãoLiberdade, 1991). She is the editor of Impure Cinema: Intermedial and Intercultural Approaches to Film (with Anne Jerslev, 2013), Theorizing World Cinema (with Chris Perriam and Rajinder Dudrah, I.B. Tauris, 2011), Realism and the Audiovisual Media (with Cecília Mello, Palgrave, 2009), The New Brazilian Cinema (I.B. Tauris, 2003), Master Mizoguchi (Navegar, 1990) and Ozu (Marco Zero, 1990).
