Constructing Walking Jazz Bass Lines, Book 3: Walking Bass Lines- Standard Lines- The Chord Scale Relationship Method, Bass Tab Edition Bass Tab Edition

Part 1
The Chord Scale Relationships ……………………………………………..
How to apply the Modes and chord scale relationships to 
standard chord progressions…………………………………………………..
How to construct the triads off of the major scale …………………….  
Jazz chord progression  # 1 ” Periodic ”                            
Bass Line Construction Triads and the ” 2 ” feel ………………………
Triads  ” 4 ” feel walking bass line ………………………………………….  
Triads and the chromatic approach from above ………………………..
Triads and the chromatic approach from below ………………………..    
Triads and the Walk Up ……………………………………………………….
Triads and the Walk Down …………………………………………………..
Jazz chord progression # 2 ” Greatest Glove ”    
Scalar approaches to constructing bass lines ” ascending ” ………….
Applying 7th chords to scalar bass lines
How to construct the diatonic 7ths ………………………………………..
Applying 7th chords to scalar bass lines ” descending “………………   
Ascending scalar with chromatic approach from above ……………..
Descending scalar with chromatic approach from below …………… 
Voice leading 7th chords & the II V I progression ……………………
Jazz chord progression # 3 ” Winters Coming ”    
Applying the voice leading technique to bass lines ……………………
Voice leading the Dominant 7th chord …………………………………..  

How to apply the Modes to constructing walking jazz bass lines
The  Ionian mode ……………………………………………………………….
Jazz chord progression # 4 ” Mr. K ” ………………………………………  
The Major II V I progression and the the Dorian &
Mixolydian modes …………………………………………………………….. 
The II V I progression ……………………………………………………….. 
The application of the II V I progression in jazz chord 
progressions ………………………………………………………………………
The III VI II V progression and the Phyrgian mode …………………    
The III VI  II V I progression ………………………………………………
The application of the III VI II V I progression in jazz 
chord progressions ……………………………………………………………..
The I VI II V progression and the Aeolian mode …………………….
The application of the I VI  II V progression in jazz 
chord progressions ……………………………………………………………..
The Lydian mode ……………………………………………………………….
Jazz chord progression # 5 ” It Depends ” 
Applying the Lydian Mode to constructing jazz bass lines …………
The Locrian Mode ……………………………………………………………..                     
Jazz chord progression # 6  ” The Weaving Stream ” ………………..          
Applying the Locrian Mode to constructing jazz bass lines ……….

Part II 
Symmetric & Melodic Minor Scales ……………………………………..            
The Whole Tone scale                  
Jazz chord progression # 7  ” Wheres the subway ? ” ………………..
The Diminished scale …………………………………………………………                 
Jazz chord progression # 8  ” Finding Candy “
Applying the use of the Diminished scale ………………………………. 
The Half Whole Diminished scale ………………………………………..  
Jazz chord progression # 9  ” Vegetable Stew “
Applying the use of the Half Whole Diminished scale ……………..
The Diminished Whole Tone scale & the 
Minor II V  progression ………………………………………………………   
Jazz chord progression # 10  ” Moonlight View “
Applying the use of the diminished whole tone scale ………………..  
The Locrian # 2 & the Minor II V  progression ………………………     
Applying the use of the Locrian # 2 scale ……………………………….
The Minor II V progression …………………………………………………   

Part III 
The Bebop Scales     
The ascending Major Bebop scale ………………………………………….
The descending Major Bebop scale ………………………………………..   
Jazz chord progression # 11 ” More Stew ? “
Applying the use of the Major Bebop scale …………………………….. 
The ascending Dorian minor Bebop scale ………………………………. 
The descending Dorian minor Bebop scale ……………………………..  
Jazz chord progression  # 12  ” Heard It “
Applying the use of the Dorian Minor bebop Scale ………………….
The ascending Mixolydian Bebop scale …………………………………..  
The descending Mixolydian Bebop scale …………………………………  
Jazz chord progression  # 13 ” Who’s Glove ? “
Applying the use of the Mixolydian Bebop Scale ……………………..

Part IV   Jazz Bass Line examples over standard Jazz 
chord progressions ……………………………………………………………..

Jazz chord progression # 14  ” Ocean St ” ………………………………     
Jazz chord progression # 15  ” Slipped into the Stream ” …………..      
Jazz chord progression # 16  ” Only You ” ………………………………     

Jazz chord progression # 17   ” The One in Gloves ” ……………….              
Jazz chord progression # 18   ” Garden Hoses ” ………………………    
Jazz chord progression # 19   ” Who Are You ? ” …………………….    
Jazz chord progression # 20   ” Idiosyncrasy “………………………….   
Jazz chord progression # 21   ” The Third ” ……………………………     
Jazz chord progression # 22   ” New Gloves ” …………………………
Jazz chord progression # 23   ” Bring Your Strings ” ………………..    
Jazz chord progression # 24   ” No Ones Here ” ……………………..    

In Conclusion …………………………………………………………………..