
The Complicity of Friends: How George Eliot, G. H. Lewes, and John Hughlings-Jackson Encoded Herbert Spencer's Secret
Author(s): Martin Raitiere (Author)
- Publisher: Bucknell University Press (UK)
- Publication Date: 12 Oct. 2012
- Language: English
- Print length: 402 pages
- ISBN-10: 1611484189
- ISBN-13: 9781611484182
Book Description
This book provides a complete rethinking of its principal figures. The novelist who emerges in these pages is a more sinuous and passionate George Eliot than the oracular Victorian we are used to hearing about. The significance of the friendship between Lewes, her irrepressible partner, and the inventive Hughlings-Jackson is outlined for the first time. And in an ironic twist, even his three farsighted confidants could not anticipate that, late in the twentieth century, certain of Spencer’s own intuitions about the nature and provenance of his illness would be vindicated. Those with any interest in George Eliot, Lewes, Hughlings-Jackson, or Spencer will be compelled to re-envision their personalities after reading The Complicity of Friends.
Editorial Reviews
Review
In this groundbreaking work, Raitiere (a practicing physician with a PhD in English literature) argues that the eminent Victorian philosopher Herbert Spencer suffered from a debilitating psychiatric illness but that his condition was known only to a few. This secret was betrayed in coded fashion by one of his closest friends, George Eliot, in her novella The Lifted Veil and to some extent in Middlemarch and Daniel Deronda. Eliot was advised and counseled by her partner, George Henry Lewes, “who had developed a serious interest in neuropsychiatric illness” partly through his friendship with Spencer. The fourth person in Raitiere’s account, Hughlings-Jackson, was a brilliant neurologist. Raitiere provides a detailed account of the work of all four, arguing that “Spencer’s illness functions as the nidus round which George Eliot, Lewes, and Hughlings-Jackson organized certain of their key works.” Providing a thorough examination of the writings of each and areas of their work hitherto neglected or ignored, the book is truly interdisciplinary and one of the most fascinating (albeit dense) studies to emerge for many decades on the interconnections between Victorian literature, psychology, and allied areas. Summing Up: Highly recommended. Upper-division undergraduates through faculty; general readers.
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