Comedy: American Style: Jessie Redmon Fauset (Multi-Ethnic Literatures of the Americas (MELA)) None Edition

Comedy: American Style: Jessie Redmon Fauset (Multi-Ethnic Literatures of the Americas (MELA)) None Edition book cover

Comedy: American Style: Jessie Redmon Fauset (Multi-Ethnic Literatures of the Americas (MELA)) None Edition

Author(s): Cherene Sherrard-Johnson (Editor), Professor Jessie Fauset

  • Publisher: Rutgers University Press
  • Publication Date: September 17, 2009
  • Edition: None
  • Language: English
  • Print length: 316 pages
  • ISBN-10: 081354632X
  • ISBN-13: 9780813546322

Book Description

Comedy: American Style, Jessie Redmon Fauset’s fourth and final novel, recounts the tragic tale of a family’s destructionùthe story of a mother who denies her clan its heritage. Originally published in 1933, this intense narrative stands the test of time and continues to raise compelling, disturbing, and still contemporary themes of color prejudice and racial self-hatred. Several of today’s bestselling novelists echo subject matter first visited in Fauset’s commanding work, which overflows with rich, vivid, and complex characters who explore questions of color, passing, and black identity.

Cherene Sherrard-Johnson’s introduction places this literary classic in both the new modernist and transatlantic contexts and will be embraced by those interested in earlytwentieth-century women writers, novels about passing, the Harlem Renaissance, the black/white divide, and diaspora studies. Selected essays and poems penned by Fauset are also included, among them “Yarrow Revisited” and “Oriflamme,” which help highlight the full canon of her extraordinary contribution to literature and provide contextual background to the novel.

Editorial Reviews

From the Inside Flap

“Comedy: American Style, ” Jessie Redmon Fauset’s fourth and final novel, recounts the tragic tale of a family’s destruction–the story of a mother who denies her clan its heritage. Originally published in 1933, this intense narrative stands the test of time and continues to raise compelling, disturbing, and still contemporary themes of color prejudice and racial self-hatred. Cherene Sherrard-Johnson’s introduction places this classic in both the new modernist and transatlantic contexts and will be embraced by those interested in early twentieth-century women writers, novels about passing, the Harlem Renaissance, the black/white divide, and diaspora studies.

From the Back Cover

A volume in the Multi-Ethnic Literatures of the Americas (MELA) series, edited by Amritjit Singh, Carla L. Peterson, and C. Lok Chua

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