Chin Music: A Novel of the Jazz Age

Chin Music: A Novel of the Jazz Age book cover

Chin Music: A Novel of the Jazz Age

Author(s): Paul M. Levitt (Author)

  • Publisher: Roberts Rinehart Publishers
  • Publication Date: 1 April 2001
  • Language: English
  • Print length: 320 pages
  • ISBN-10: 1570984042
  • ISBN-13: 9781570984044

Book Description

New York City in 1922 saw showpeople like Fanny Brice and Harry Houdini rubbing shoulders with confidence men and bootleggers like Arnold Rothstein, the gambler reputed to have fixed the 1919 World Series. Henrietta Fine, a precocious sixteen-year-old apprentice locksmith, weaves in and out of this world, living by her wits and the double-cross. Her safe cracking skills make her useful to both Houdini and to the wily Rothstein, who provides cover for her after the police implicate her in a diamond heist. Her picaresque adventures take her from the woods of New Jersey, whose secret Indian trails afford escape from red-baiting anti-semtic mobs, to the coves of Long Island, where she becomes a companion of a doomed bootlegger. Drawn with exquisite detail and told in a voice- Henrietta’s-that recalls the stylish gossip (or “Chin Music”) of the Flapper, Paul Levitt’s debut novel will entertain readers with its uncanny evocation of an era when the gangster held a place of celebrity and a teen-age girl could be his unwitting- or outwitting-collaborator.

Editorial Reviews

Review

Besides the strong characters, Levitt’s uncanny evocation of time and place is impressive.–Alex Goulder “The Daily Camera”

From the Publisher

Paul M. Levitt is Professor of English and former Head of the Writing Program at the University of Colorado in Boulder. This background informs his novel, which begins with an allusion to William Butler Yeats (repeated in mid-course) and ends with an allusion to Walt Whitman – two poets whose lives roughly span those of the two generations prominently portrayed in the novel. The title, Chin Music, is flapper slang for gossip, and the setting is the Roaring Twenties world of gangsters and molls.

From the Author

‘All art is a collaboration.’ J.M. Synge’s prefatory comment in ‘The Playboy of the Western World’ holds especially true for writers of historical novels and plays, who in large part depend on the kindness of strangers. Chin Music could not have been scripted – yes, I wish to suggest the idea of a collaborative mosaic – without my having before me not only Fitzgerald and Twain, but also a number of other great authors and poets. I am indebted to history and historians, to librarians, and to the language and music of the jazz age.

About the Author

Paul Levitt is Professor of English at the University of Colorado and holds degrees in English, history, and philosophy. He is the author or co-author of numerous plays and books, among them The Weighty Word Book (also from Roberts Rinehart).

Excerpt. © Reprinted by permission. All rights reserved.

A sudden blow. With the great hospital fans beating like a flock of swans and my father caught short by the bill, St. Barnabas Hospital told us they could no longer care for his cancer. Mom asked me to assume the power that naturally befitted my knowledge of the family’s affairs. It was the spring of 1922. As my father lay dying on a gray metal bed, amid the smell of disinfectant and bedpans, a schooner carrying scotch whiskey was leaving the Firth of Forth, headed for the island of St. Pierre off the east coast of Canada, where bootleggers waited to take charge of the shipment. A short time before, in New York City, Adeela Farouk had worn a priceless diamond necklace to a party at the home of Fanny Brice, wife of con man Nicky Arnstein. Although these apparently unrelated events changed the course of my life, I waited decades to disclose them, having been deterred by scandal, and by love.

I see now that a book, like a life, is a pastiche of plagiarisms. To write mine, I have borrowed and bent and followed in the footsteps of those who fancied America the golden Medina, a hope long since sterile but once fecund as the rivers Captain Smith fished. Somnambulists of a vanished dream, they would surely feel, were they to pass through the garbage-strewn streets of this country, through the hungry and tortured cries of the night, that they had wakened to a fallen world. Or would they? Perhaps despite the omens drear, the land cold from the quickening of greed, they still would hear the varied carols of America singing.

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