Drowning in 8 Glasses: 7 Myths about Water Revealed

Drowning in 8 Glasses: 7 Myths about Water Revealed book cover

Drowning in 8 Glasses: 7 Myths about Water Revealed

Author(s): Cary Carson (Editor), Carl R. Lounsbury

  • Publisher: The University of North Carolina Press
  • Publication Date: March 25, 2013
  • Language: English
  • Print length: 488 pages
  • ISBN-10: 0807835773
  • ISBN-13: 9780807835777

Book Description

For more than thirty years, the architectural research department at Colonial Williamsburg has engaged in comprehensive study of early buildings, landscapes, and social history in the Chesapeake region. Its painstaking work has transformed our understanding of building practices in the colonial and early national periods and thereby greatly enriched the experience of visiting historic sites. In this beautifully illustrated volume, a team of historians, curators, and conservators draw on their far-reaching knowledge of historic structures in Virginia and Maryland to illuminate the formation, development, and spread of one of the hallmark building traditions in American architecture.
The essays describe how building design, hardware, wall coverings, furniture, and even paint colors telegraphed social signals about the status of builders and owners and choreographed social interactions among everyone who lived or worked in gentry houses, modest farmsteads, and slave quarters. The analyses of materials, finishes, and carpentry work will fascinate old-house buffs, preservationists, and historians alike. The lavish color photography is a delight to behold, and the detailed catalogues of architectural elements provide a reliable guide to the form, style, and chronology of the region’s distinctive historic architecture.

Editorial Reviews

Review

“[This] book transforms our understanding of Chesapeake region buildings . . . [It] should become an essential reference for anyone interested in early American architecture.” —Colonial Williamsburg

The Chesapeake House is an important addition to the literature of the period and region and should be considered for both public and academic libraries.”—Arts Libraries Society of North America

“This important volume. . . is richly illustrated with measured floor plans, paintings, and photographs. . . . Recommended. Upper-division undergraduates and above; general readers.” —

“Perhaps once in a generation there appears a published architectural history that achieves landmark status at the onset. The Chesapeake House deserves that status and more. . . . This work can truly be called a paradigm shift for how we should see and understand a significant regional development of American architecture.” —Southeastern Society of Architectural Historians 2013 Book Award

“An important handbook to curators, scholars, and students in the field. . . . It is a seminal work in the field and will be referred to for years to come.” —Virginia Magazine

“A tour de force of fieldwork, analysis, and synthesis, providing the most thorough and nuanced understanding of Chesapeake buildings available.” —Pennsylvania Magazine of History and Biography

“This collection of essays is a milestone for architectural historians. While it will appeal to historians in any field, meeting rigorous expectations of scholarship, it will delight and inform a much wider audience beyond academe, just as the editors hope.” —Journal of American History

“This magisterial volume delights on many levels. . . . For anyone planning a trip to Virginia or Maryland, this book would be essential background reading.” —Vernacular Architecture

“This volume will serve as a valuable tool for historians who want to broaden their use of evidence and perhaps uncover a new perspective on the past.” —Journal of Southern History

“Sure to inform, move, and delight.” —Winterthur Portfolio

Review

The Chesapeake House is the fruit of a generation’s labors and captures a revolution in the study of early American architecture. The authors adroitly combine field documentation with the most recent research as they explore the region’s architecture— from the smallest details of construction and decoration to the broadest issues of social ritual and social prestige. This is the great work we have been waiting for.” —Dell Upton, University of California, Los Angeles

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