Cathedral, Forge, and Waterwheel: Technology and Invention in the Middle Ages
Author(s): Frances Gies (Author), Joseph Gies (Author)
Publisher: HarperCollins
Publication Date: January 1, 1994
Edition: First Edition
Language: English
Print length: 368 pages
ISBN-10: 0060165901
ISBN-13: 9780060165901
Book Description
In this account of Europe’s rise to world leadership in technology, Frances and Joseph Gies make use of recent scholarship to destroy two time-honored myths. Myth One: that Europe’s leap forward occurred suddenly in the “Renaissance,” following centuries of medieval stagnation. Not so, say the Gieses: Early modern technology and experimental science were direct outgrowths of the decisive innovations of medieval Europe, in the tools and techniques of agriculture, craft industry, metallurgy, building construction, navigation, and war. Myth Two: that Europe achieved its primacy through “Western” superiority. On the contrary, the authors report, many of Europe’s most important inventions – the horse harness, the stirrup, the magnetic compass, cotton and silk cultivation and manufacture, papermaking, firearms, “Arabic” numerals – had their origins outside Europe, in China, India, and Islam. The Gieses show how Europe synthesized its own innovations – the three-field system, water power in industry, the full-rigged ship, the putting-out system – into a powerful new combination of technology, economics, and politics. From the expansion of medieval man’s capabilities, the voyage of Columbus with all its fateful consequences is seen as an inevitable product, while even the genius of Leonardo da Vinci emerges from the context of earlier and lesser-known dreamers and tinkerers. Cathedral, Forge, and Waterwheel is illustrated with more than 90 photographs and drawings. It is a Split Main Selection of the Book-of-the-Month Club.
Editorial Reviews
From Library Journal
Moving chronologically through a millennium (500-1500 A.D.), the authors (who have written numerous books on medieval life, including Life in a Medieval City , LJ 2/1/70) show that the term “Dark Ages” is a misnomer by deftly tracing the period’s “main technological elements, . . . their known or probable sources, and their principal impacts.” In addition to the technological developments highlighted in the book’s title, the authors cover such topics as the textile industry and shipbuilding/rigging, plus obligatory topics like printing, engineering, and gunpowder. Throughout, they nimbly weave medieval cultural history into the discussion. Informative, readable, enjoyable, and well written, this work is directed to general readers. Highly recommended for all collections. – Michael D. Cramer, Virginia Polytechnic & State Univ. Libs . , Blacksburg Copyright 1994 Reed Business Information, Inc.
The flame of human ingenuity burned with surprising intensity during the medieval centuries. Already well known for their extensive research into medieval history and social life, the Gieses here explode the myth of the Dark Ages, showing that the Fall of Rome did not plunge Europe into stagnation and lethargy. Rather, the archaeological and historical record reveals that medieval Europeans borrowed discoveries from other lands (such as the compass, Hindu-Arabic numbers, gunpowder, and paper) and developed their own indigenous technologies (such as those in wind and water mills), so making continual progress in the use of natural resources. In the fields, peasants used a new harness (from China) to put the horse to work in place of the ox; in the forge, the blacksmith developed case-hardened tools for the carpenter; on the open seas, the sailor manipulated the new lanteen sail to guide ships constructed with radical new hull designs. While most of the technological development was anonymous and practical, medieval advances in fields such as astronomy and navigation led directly toward the feats of Copernicus and Columbus. Contemporary readers–prone to take computers and smart bombs for granted–will learn much from this chronicle of monks writing on lime-treated parchments and of knights fighting with newly devised stirrups. Bryce Christensen