Buenas Noches, American Culture: Latina/o Aesthetics of Night

Buenas Noches, American Culture: Latina/o Aesthetics of Night book cover

Buenas Noches, American Culture: Latina/o Aesthetics of Night

Author(s): María DeGuzmán (Author)

  • Publisher: Indiana University Press
  • Publication Date: 9 July 2012
  • Language: English
  • Print length: 326 pages
  • ISBN-10: 025300179X
  • ISBN-13: 9780253001795

Book Description

Often treated like night itself―both visible and invisible, feared and romanticized―Latina/os make up the largest minority group in the US. In her newest work, María DeGuzmán explores representations of night in art and literature from the Caribbean, Colombia, Central and South America, and the US, calling into question night’s effect on the formation of identity for Latina/os in and outside of the US. She takes as her subject novels, short stories, poetry, essays, non-fiction, photo-fictions, photography, and film, and examines these texts through the lenses of nationhood, sexuality, human rights, exoticism, among others.

Editorial Reviews

Review

DeGuzmán . . . offers new insights into how representations of night have been employed to form (impose) a Latino identity within and beyond the borders of the US. Juxtaposing historical illustrations with modern literary and artistic depictions of night from Central and South America, the Caribbean, and the US, she compellingly argues that there are new trends in representations of night used by Latino/a writers and artists as a means of self-representation.

Choice

[T]he multidisciplinary approach of this work allows DeGuzmán to reflect on the complexity and multiplicity of Latinidades in both content and method, successfully situating the volume in the broad, and often deliberately complex and nuanced, fields of Latina/o Studies, American Studies, and Cultural Studies (to mention a few). Jan 2016

Modern Language Review

Review

This wonderfully complex and comparative analysis of the aesthetics of night in Latino literature breaks new ground. . . . it offers a compelling argument about the transvaluation of night in Latino literature that is completely new, original and insightful, deepening scholarship on the critical role of Latino literature in the U.S. body politic.

— Theresa Delgadillo

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