PRAISE FOR NADINE MCINNIS
“So finely drawn, at once evocative and narratively fulfilled, each one greater than the sum of its subtle parts. Exquisite.”―Ann-Marie MacDonald, author of Fall on Your Knees
“Nadine McInnis’s extraordinary images add an eerie clarity to her fiction mix as she distills the ardent ways we perceive or deceive one another in these marvelously swift examinations of loss and redemption.”―Elisabeth Harvor, author of Excessive Joy Injures the Heart
“McInnis’s prose is galvanized by deft dialogue and imagery that keens with a poet’s sensibility, and her recurring themes are hauntingly conveyed without lapsing into excessive grimness.”
―Quill & Quire
“I feel like I’ve uncovered a treasure―the mind’s brilliance and transcendence embedded in a deep geology of love and pain.”
―Marilyn Bowering
“McInnis alerts the reader that she’s not messing around; what follows will be aching and very bodily, in these stories blood will spill and hearts will break … [she] puts you on the inside of [her] characters, mapping their meaty interiors.”
―National Post
“McInnis is a master of nuance, the unsaid that speaks volumes … stunning, highly nuanced, utterly moving and profound.”
―The Winnipeg Review
“[With] lean and lyrical language…and arresting images…Blood Secrets is a deceptively gentle book, a desperately tender succession of tales that bruise the heart with their sadness, while at the same time offering the salve of kindness”. ―Literary Review of Canada
PRAISE FOR NADINE MCINNIS
So finely drawn, at once evocative and narratively fulfilled, each one greater than the sum of its subtle parts. Exquisite.”Ann-Marie MacDonald, author of Fall on Your Knees
Nadine McInnis’s extraordinary images add an eerie clarity to her fiction mix as she distills the ardent ways we perceive or deceive one another in these marvelously swift examinations of loss and redemption.”Elisabeth Harvor, author of Excessive Joy Injures the Heart
“McInnis’s prose is galvanized by deft dialogue and imagery that keens with a poet’s sensibility, and her recurring themes are hauntingly conveyed without lapsing into excessive grimness.”
Quill & Quire
“I feel like I’ve uncovered a treasurethe mind’s brilliance and transcendence embedded in a deep geology of love and pain.”
Marilyn Bowering
“McInnis alerts the reader that she’s not messing around; what follows will be aching and very bodily, in these stories blood will spill and hearts will break
[she] puts you on the inside of [her] characters, mapping their meaty interiors.”
National Post
“McInnis is a master of nuance, the unsaid that speaks volumes … stunning, highly nuanced, utterly moving and profound.”
The Winnipeg Review
“[With] lean and lyrical language…and arresting images
Blood Secrets is a deceptively gentle book, a desperately tender succession of tales that bruise the heart with their sadness, while at the same time offering the salve of kindness”. Literary Review of Canada
About the Author
Nadine McInnis was born in Belleville, Ontario in September, 1957, and grew up in Toronto and Ottawa. She attended Colonel By Secondary School, where she began a lifelong friendship with the novelist, playwright and actor Ann-Marie MacDonald. She studied English Literature at the University of Ottawa, and after spending two years on Thunderchild Reserve, Saskatchewan and another two years on a farm near Livelong, Saskatchewan, she returned to Ottawa. She has two children, Nadia (born 1982) and Owen(born 1988), and is married to Tim Fairbairn.
Among her seven books, Two Hemispheres (Brick, 2007) was shortlisted for the Pat Lowther and ReLit Awards, and is a book-length poetic exploration of illness and health partially inspired by the first medical photographs of women patients of the Surrey County Lunatic Asylum in 1850. Ten photos are included.
McInnis’ work has appeared in a variety of journals, including The Malahat Review, The New Quarterly, Event, and Room of One’s Own. McInnis has published widely in magazines in Canada and is a past winner of a CBC literary award and the Ottawa Book Award. She joined the faculty of Algonquin College in 2006, after working as a policy analyst in the Canadian federal government where she focused on the publishing industries in Canada.
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