
15 Vocalises for Medium or Low Voice, Op. 12: No. 4
Author(s): Stewart GORDON (Author)
- Publisher: Oxford University Press
- Publication Date: January 12, 2017
- Language: English
- Print length: 288 pages
- ISBN-10: 0190629185
- ISBN-13: 9780190629182
Book Description
In the opening chapters of
Beethoven’s 32 Piano Sonatas, Gordon illuminates the essential historical context behind common performance problems, discussing Beethoven’s own pianos and how they relate to compositional style and demands in the pieces, and addressing textual issues, performance practices, and nuances of the composer’s manuscript inscriptions. In outlining patterns of structure, sonority, keyboard technique, and emotional meaning evident across Beethoven’s compositional development, Gordon provides important background and technical information key to understanding his works in context. Part II of the book presents each sonata in an outline-chart format, giving the student and teacher ready access to essential information, interpretive choices, and technical challenges in the individual works, measure by measure, all in one handy reference source. In consideration of the broad diversity of today’s Beethoven interpreters, Gordon avoids one-size-fits-all solutions or giving undue weight to his own tastes and preferences. Instead, he puts the choices in the hands of the performers, enabling them to create their own personal relationship with the music and a more powerful performance.Editorial Reviews
Review
“This friendly, helpful, refreshingly nondoctrinaire guide to performing Beethoven is quite far from what appears to be a hornet’s nest atmosphere in American musicology today. It is addressed to thinking pianists who wish to make up their own minds about what Beethoven may have wanted in his sonatas. It is a book of choices, reasonably argued.” — International Piano Magazine
“Although there are moments, here and there, that synthesize research and approaches to the sonatas (especially chapters 1-3), the rest of the book presentsan expanded version of the author’s excellent and thoughtful critical edition combined with Romantic commonplaces
about the universality of music, debatable claims about Beethoven’s intentions, and peripheral background information. In order to appreciate Gordon’s observations about
Beethoven, performers and readers would be best served by paying careful attention to the extensive commentary” —Notes
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