
A Town of Empty Rooms
Author(s): Karen E. Bender (Author)
- Publisher: Counterpoint
- Publication Date: 15 Jan. 2013
- Language: English
- Print length: 352 pages
- ISBN-10: 1619020696
- ISBN-13: 9781619020696
Book Description
Editorial Reviews
About the Author
Karen E. Bender is the author of a novel,
Like Normal People. Her fiction has appeared in The New Yorker, Granta, Zoetrope, Ploughshares, Story, Harvard Review, The Iowa Review, and other magazines. Her stories have been anthologized in Best American Short Stories, Best American Mystery Stories, New Stories from the South: The Year’s Best, and have won two Pushcart prizes. She has won grants from the Rona Jaffe Foundation and the NEA. She is also co-editor of the anthology Choice: True Stories of Birth, Contraception, Infertility, Adoption, Single Parenthood, and Abortion. She lives in North Carolina with her husband, novelist Robert Anthony Siegel, and their two children, and teaches creative writing at the University of North Carolina at Wilmington.Excerpt. © Reprinted by permission. All rights reserved.
There is, in finding your beloved, the belief that this person answers a question that resides in you, a question that you did not know has always lived inside you. Dan answered Serena’s question–how can you move through the world while sometimes closing your eyes? She loved in Dan what seemed to be an endless hopefulness. She liked the way he seemed to believe in clichés; he seemed to believe in the goodness of the world when he grew up from a family that wanted to disregard him. It seemed so generous, this eagerness, so fearless in a way. She answered the question for Dan—how can you move through the world while allowing yourself to see everything in other people? He had loved the fact that she could not hide anything about herself and could spend large amounts of time talking about her fears, that she regarded the world with a clarity that he didn’t; he admired that. He had spent his life trying to find people who would not surprise him at all.
After their wedding, they drove, with the cavalier machismo of the newly married, all night to a flimsy, plastic motel by the highway just off the Delaware Memorial Bridge, a place they had chosen just because they were too tired to move. There was such a glorious naiveté in that drive, that rush in their rental car down I-95, by the rattling trucks, by the people hunched over the steering wheels, for the cool pure hope that, by finding each other, they had fled some basic sadness. They spent their marital night at a truck stop, the long, white beams from the headlights sweeping through the plain room, the trod-on blue carpet, the sharp odor of Lysol, the guttural grinding of the engines outside. She looked at him, sitting, naked, against the pine headboard, one knee bent; looking out at the semis lined up in the parking lot, and the headlights fell upon his face so that he looked as though he expected to be swallowed into them, into pure light. She moved toward him, wanting, too, to be brought into his longing. He looked at her, and he wanted to fall into her breasts, her thighs, the way she cupped her chin in her hand and peered into the darkness outside as though waiting to see something else come out of it.
She loved his hope, and he loved her fear. They fell into each other, grateful for each other’s arms and legs and lips and for what they could grab from each other, and they woke to the damp, sour sheets, the pink light of the sun into the shabby room, and she looked at him asleep beside her, and she felt that particular brief melting pleasure—she did not want to be anywhere else.
The flaws were already sown, as they are with any union.
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