Artists at War: Narratives, Visual Arts and the Siege of Sarajevo (Palgrave Studies in Cultural Heritage and Conflict)

Artists at War: Narratives, Visual Arts and the Siege of Sarajevo (Palgrave Studies in Cultural Heritage and Conflict)

Artists at War: Narratives, Visual Arts and the Siege of Sarajevo (Palgrave Studies in Cultural Heritage and Conflict)

by: Ewa Anna Kumelowski (Author)

Publisher: Palgrave Macmillan

Publication Date: 2025-05-28

Language: English

Print Length: 295 pages

ISBN-10: 303187319X

ISBN-13: 9783031873195

Book Description

This book follows the lives of Sarajevan visual artists as they responded to the rising instability and political fragmentation that defined the last days of Yugoslavia’s existence. Exploring how these artists understood and spoke about the onset of war, it places a focus on a series of recognizable discourses, touching upon notions of Yugoslav common culture, civilization and cultural resistance, which have since become synonymous with the memory of the siege of Sarajevo. This book hinges its central arguments on a microhistorical reading of this unique cultural community that existed simultaneously on the practical periphery of Yugoslav cultural developments and within the center of the state’s fragmentation. In doing so, it offers a novel approach towards understanding the experiences of everyday life in besieged Sarajevo

Editorial Reviews

This book follows the lives of Sarajevan visual artists as they responded to the rising instability and political fragmentation that defined the last days of Yugoslavia’s existence. Exploring how these artists understood and spoke about the onset of war, it places a focus on a series of recognizable discourses, touching upon notions of Yugoslav common culture, civilization and cultural resistance, which have since become synonymous with the memory of the siege of Sarajevo. This book hinges its central arguments on a microhistorical reading of this unique cultural community that existed simultaneously on the practical periphery of Yugoslav cultural developments and within the center of the state’s fragmentation. In doing so, it offers a novel approach towards understanding the experiences of everyday life in besieged Sarajevo

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