Art, Knowledge, and Papal Politics in Medieval Rome: Interpreting the Aula Gotica Fresco Cycle at Santi Quattro Coronati

Art, Knowledge, and Papal Politics in Medieval Rome: Interpreting the Aula Gotica Fresco Cycle at Santi Quattro Coronati book cover

Art, Knowledge, and Papal Politics in Medieval Rome: Interpreting the Aula Gotica Fresco Cycle at Santi Quattro Coronati

Author(s): Marius B. Hauknes (Author)

  • Publisher: Cambridge University Press
  • Publication Date: April 3, 2025
  • Language: English
  • Print length: 373 pages
  • ISBN-10: 1009535765
  • ISBN-13: 9781009535762

Book Description

Discovered in 1995, the remarkable thirteenth-century frescoes in the great hall, or Aula Gotica, of Rome’s Santi Quattro Coronati complex are among the most important vestiges of medieval Italian painting. In this volume, Marius Hauknes offers a thorough investigation of the fresco cycle, which includes allegorical representations of the liberal arts, the virtues and vices, the seasons, the signs of the zodiac, and the months of the year. Hauknes relates these subjects to the papacy’s growing interest in fields of worldly knowledge, such as music, time, astrology, and medicine. He argues that the Santi Quattro Coronati frescoes function as a large-scale, interactive encyclopedia that not only represented secular knowledge but also produced philosophical speculation, stimulating beholders to draw connections between pictorial motifs across architectural space. Integrating medieval intellectual history with close attention to multi-sensory and architectural conditions of fresco Hauknes’ study offers new insights into religion, art, science, and spectatorship in medieval Italy.

Editorial Reviews

Book Description

Shows how medieval artists developed fresco painting into a sophisticated medium for philosophical, scientific and religious speculation.

About the Author

Marius B. Hauknes is assistant professor of medieval art at the University of Notre Dame. He has held the Agnes Gund and Daniel Shapiro Membership at the Institute for Advanced Study, Princton and an Ailsa Mellon Bruce Senior Fellowship at the Center for Advanced Study in the Visual Arts at the  National Gallery of Art, Washington, DC.

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