Alibi: A Novel

Alibi: A Novel book cover

Alibi: A Novel

Author(s): Joseph Kanon (Author)

  • Publisher: Henry Holt and Co.
  • Publication Date: April 12, 2005
  • Edition: First Edition
  • Language: English
  • Print length: 416 pages
  • ISBN-10: 080507886X
  • ISBN-13: 9780805078862

Book Description

From the bestselling author of Los Alamos and The Good German comes a riveting tale of love, revenge and murder set in postwar Venice

It is 1946, and a stunned Europe is beginning its slow recovery from the ravages of World War II. Adam Miller has come to Venice to visit his widowed mother and try to forget the horrors he has witnessed as a U.S. Army war crimes investigator in Germany. Nothing has changed in Venice-not the beautiful palazzi, not the violins at Florian’s, not the shifting water that makes the city, untouched by bombs, still seem a dream.

But when Adam falls in love with Claudia, a Jewish woman scarred by her devastating experiences during the war, he is forced to confront another Venice, a city still at war with itself, haunted by atrocities it would rather forget. Everyone, he discovers, has been compromised by the Occupation-the international set drinking at Harry’s, the police who kept order for the Germans, and most of all Gianni Maglione, the suave and enigmatic Venetian who happens to be his mother’s new suitor. And when, finally, the troubled past erupts in violent murder, Adam finds himself at the center of a web of deception, intrigue, and unexpected moral dilemmas. When is murder acceptable? What are the limits of guilt? How much is someone willing to pay for a perfect alibi?

Using the piazzas and canals of Venice as an enthralling but sinister backdrop, Joseph Kanon has again written a gripping historical thriller. Alibi is at once a murder mystery, a love story, and a superbly crafted novel about the nature of moral responsibility.

Editorial Reviews

From Booklist

In The Good German (2001), Kanon superbly evoked the post-apocalyptic, pockmarked moonscape of 1946 Germany. Now he turns to postwar Venice, where there are no pockmarks but the survivors are equally shell-shocked by the nearness of evil. Adam Miller, fresh from a stint as a war crimes investigator in Frankfurt, arrives in Vienna to visit his globe-trotting mother, who is holding tenuously to the remains of her fortune and embarking on an autumnal romance with a Venetian doctor whose wartime associations with the Nazis remain troubling if obscure. Miller begins a tumultuous romance with a Jewish woman whose own wartime experience has left her with deep psychic wounds. Soon enough the past can no longer remain hidden as a stunning murder leaves Adam torn between righting wrongs and protecting those he loves and himself. In a world where alibis are the currency of the era–everyone was “somewhere else when the air-raid sirens covered the sounds of people being dragged off”–Adam attempts to tread lightly through a landscape loaded with moral land mines. As before, Kanon juxtaposes a powerful love story and a gripping thriller against a palpable historical moment, but this time his hero can’t quite shoulder the burden, his naive American assumptions about right and wrong leaving him ill-equipped to respond and never quite able to garner our full sympathy. And, yet, the novel holds us completely, with its vision of a sadly inadequate hero striking deep at our worst fears about ourselves. Bill Ott
Copyright © American Library Association. All rights reserved

Review

Praise for The Good German:
“[Kanon] is fast approaching the complexity and relevance not just of le Carré and Greene but even of Orwell: provocative, fully realized fiction that explores, as only fiction can, the
reality of history as it is lived by individual men and women.”
The New York Times Book Review

“As he did in Los Alamos, Kanon demonstrates an eerie mastery of the evocative historical detail . . . You can feel the shattered glass crunching beneath your feet as you read. You can smell the smoke-scorched broken bricks . . . Kanon is as ambitious a novelist as he is a gifted one.” –The Washington Post

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